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what type of light for video?

Author
15 Mar 2007 4:49 PM
DN
Hi,

What type of light is best for video...I'm using 8mm.
Regular incandescent are too orange, and
fluorescent are too green. I've seen fluorescent
grow lights and aquarium lights that are more pink
than blue, so would they be any better or more
orange like the incandescent? I'm using a Sony
DCR TRV350 which appears to be only automatic
white balance with no manual control, if that has
anything to do with it.

Thanks,
David

Author
15 Mar 2007 4:35 PM
Richard Crowley
<D*@nomail.com> wrote ...
> What type of light is best for video...I'm using 8mm.
> Regular incandescent are too orange, and
> fluorescent are too green. I've seen fluorescent
> grow lights and aquarium lights that are more pink
> than blue, so would they be any better or more
> orange like the incandescent? I'm using a Sony
> DCR TRV350 which appears to be only automatic
> white balance with no manual control, if that has
> anything to do with it.

Or maybe your camcorder is broken if it isn't capable of
auto white-balancing to incandescent (aka. "tungsten",
@ 3200K).
Are all your drivers up to date? click for free checkup

Author
15 Mar 2007 4:39 PM
Ken Maltby
<D*@nomail.com> wrote in message
Show quoteHide quote
news:lntiv2lgur17085i04ueamlv41tm4ougiv@4ax.com...
> Hi,
>
> What type of light is best for video...I'm using 8mm.
> Regular incandescent are too orange, and
> fluorescent are too green. I've seen fluorescent
> grow lights and aquarium lights that are more pink
> than blue, so would they be any better or more
> orange like the incandescent? I'm using a Sony
> DCR TRV350 which appears to be only automatic
> white balance with no manual control, if that has
> anything to do with it.
>
> Thanks,
> David

  You might try GE "Reveal" Halogen bulbs, they claim
to be "Color Enhanced" "Full-Spectrum".

Luck;
    Ken
Author
25 Mar 2007 2:08 PM
Martin Heffels
On Thu, 15 Mar 2007 11:39:30 -0500, "Ken Maltby" <kmal***@sbcglobal.net>
wrote:

>  You might try GE "Reveal" Halogen bulbs, they claim
>to be "Color Enhanced" "Full-Spectrum".

If the camera is "full automatic" and can't even handle regular tungsten
sources, these lamps could not work either.

-m-
--
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Official website "Jonah's Quid" http://www.jonahsquids.co.uk
Author
15 Mar 2007 9:47 PM
Gene E. Bloch
On 3/15/2007, D*@nomail.com posted this:
Show quoteHide quote
> Hi,
>
> What type of light is best for video...I'm using 8mm.
> Regular incandescent are too orange, and
> fluorescent are too green. I've seen fluorescent
> grow lights and aquarium lights that are more pink
> than blue, so would they be any better or more
> orange like the incandescent? I'm using a Sony
> DCR TRV350 which appears to be only automatic
> white balance with no manual control, if that has
> anything to do with it.
>
> Thanks,
> David

I would be willing to bet (OK, maybe only a nickel) that your camcorder
has custom white balance, but I'm too lazy right now to download the
manual and find out for myself.

Although that's not called manual, it does give a comparable
capability.

--
Gene E. Bloch (Gino)
letters617blochg3251
(replace the numbers by "at" and "dotcom")
Author
25 Mar 2007 2:52 PM
Richard Amirault
"Gene E. Bloch"  wrote ...
> I would be willing to bet (OK, maybe only a nickel) that your camcorder
> has custom white balance, but I'm too lazy right now to download the
> manual and find out for myself.
>
> Although that's not called manual, it does give a comparable capability.

I have a Sony Digital 8 that *only* has automatic color balance. My Sony
Mini-DV has adjustable white balance.

For the original poster ... What kind of circumstances are you shootiing?
What is the color of the subject? What is the color of the background? What
kind of room? Daytime? Nighttime? Windows? Are the lightbulbs all the same
type (mixed incandesant / flourescant?)

--
Richard Amirault,  Boston, MA, USA
http://n1jdu.org
http://n1jdu.org/Fandom/science.htm
Author
5 Apr 2007 4:42 PM
AnthonyR.
Richard Amirault wrote:
Show quoteHide quote
> "Gene E. Bloch"  wrote ...
>> I would be willing to bet (OK, maybe only a nickel) that your camcorder
>> has custom white balance, but I'm too lazy right now to download the
>> manual and find out for myself.
>>
>> Although that's not called manual, it does give a comparable capability.
>
> I have a Sony Digital 8 that *only* has automatic color balance. My Sony
> Mini-DV has adjustable white balance.
>
> For the original poster ... What kind of circumstances are you shootiing?
> What is the color of the subject? What is the color of the background? What
> kind of room? Daytime? Nighttime? Windows? Are the lightbulbs all the same
> type (mixed incandesant / flourescant?)
>

Richard, when you say the camera has automatic white balance, what do
you mean? How does it balance it? How do you tell it what is white?
And if it's automatic, how does it do it?
Usually, every camera I've ever owned even the cheapest, let's you point
to a white object and hit a button so it can adjust to that being white.

Does your manual in the Sony Digital 8 explain how it can possible
determine a white subject on it's own (automatically)?
It might have settings for daylight, tungsten, florescent etc...I can
understand that, but auto, how?

AnthonyR.
Author
5 Apr 2007 5:31 PM
Ray S
AnthonyR. wrote:
Show quoteHide quote
> Richard Amirault wrote:
>> "Gene E. Bloch"  wrote ...
>>> I would be willing to bet (OK, maybe only a nickel) that your
>>> camcorder has custom white balance, but I'm too lazy right now to
>>> download the manual and find out for myself.
>>>
>>> Although that's not called manual, it does give a comparable capability.
>>
>> I have a Sony Digital 8 that *only* has automatic color balance. My
>> Sony Mini-DV has adjustable white balance.
>>
>> For the original poster ... What kind of circumstances are you
>> shootiing? What is the color of the subject? What is the color of the
>> background? What kind of room? Daytime? Nighttime? Windows? Are the
>> lightbulbs all the same type (mixed incandesant / flourescant?)
>>
>
> Richard, when you say the camera has automatic white balance, what do
> you mean? How does it balance it? How do you tell it what is white?
> And if it's automatic, how does it do it?
> Usually, every camera I've ever owned even the cheapest, let's you point
> to a white object and hit a button so it can adjust to that being white.

Consumer grade cameras typically have an "Auto" setting. Meaning you
simply point and shoot. It takes care of focus and attempts to make a
guess on exposure and balance.

I don't know how many of todays consumer camcorders have a manual white
balance setting. They will have settings for various
environments....Sports Mode, Sunset Mode, Incandescent Mode and such but
a real pull our your while card and balance may be disappearing from the
lower price units.

> Does your manual in the Sony Digital 8 explain how it can possible
> determine a white subject on it's own (automatically)?
> It might have settings for daylight, tungsten, florescent etc...I can
> understand that, but auto, how?
>

I have an older Sony D8 unit that has no manual white balance, but does
have about half a dozen environment settings to go along with its
general - lets make a guess - full auto. How does it do it? I read
somewhere that it was elves inside the camera, but, what would they eat?
Tape sometimes, but that can't be all the nourishing.
Author
6 Apr 2007 1:16 PM
Fred
AnthonyR. wrote:

> Richard, when you say the camera has automatic white balance, what do
> you mean? How does it balance it? How do you tell it what is white?
> And if it's automatic, how does it do it?
> Usually, every camera I've ever owned even the cheapest, let's you point
> to a white object and hit a button so it can adjust to that being white.
>
> Does your manual in the Sony Digital 8 explain how it can possible
> determine a white subject on it's own (automatically)?
> It might have settings for daylight, tungsten, florescent etc...I can
> understand that, but auto, how?
>
        OK when you do it manually the camera has to store the data from
the "white" sample you give it.  With Automatic balancing a factory
standard white is stored in memory and the camera just references that
instead of something supplied by the photographer/videographer.  It doesn't
do as well a job of compensating for specific lighting conditions, but it's
a good first approximation.

--
Regards,  Fred
Author
6 Apr 2007 1:51 PM
AnthonyR.
Fred wrote:
Show quoteHide quote
> AnthonyR. wrote:
>
>> Richard, when you say the camera has automatic white balance, what do
>> you mean? How does it balance it? How do you tell it what is white?
>> And if it's automatic, how does it do it?
>> Usually, every camera I've ever owned even the cheapest, let's you point
>> to a white object and hit a button so it can adjust to that being white.
>>
>> Does your manual in the Sony Digital 8 explain how it can possible
>> determine a white subject on it's own (automatically)?
>> It might have settings for daylight, tungsten, florescent etc...I can
>> understand that, but auto, how?
>>
>         OK when you do it manually the camera has to store the data from
> the "white" sample you give it.  With Automatic balancing a factory
> standard white is stored in memory and the camera just references that
> instead of something supplied by the photographer/videographer.  It doesn't
> do as well a job of compensating for specific lighting conditions, but it's
> a good first approximation.
>
  Hey RayS and Fred,
Yes, of course, I didn't think they could just store a factory default
white, sure, silly me. LOL

Maybe it's set individually per camera at factory? Or just in firmware
per model design, probably the later.

Then when you adjust shooting modes, rainy day, beach, indoors etc... it
makes adjustment for you, i see.

I guess post recording white balance can also be made in editing
software too, right? By adjusting something in the shot which is known
to be white, like a t-shirt to white and having all the other levels
automatically adjusted. But I guess this would require lots of rendering.

AnthonyR.

Also I suspect know that many people are becoming eco conscious and
getting CFL in their homes, (compact florescent lighting) the indoor
auto setting may no longer be correct. As CFL comes in all ranges of
color temperatures from 2700k all the way up to daylight 7000k and many
ranges in between.
I personally prefer the lower 2700k CFL, that are the closest to warm
tungsten lighting for indoors except my office room where I use the
bright daylight (full spectrum) CFL bulbs. But then you can just set the
  mode to outdoors when recording in a room like that.

Happy Easter and Passover everyone,
AnthonyR.
Author
6 Apr 2007 5:40 PM
Richard Crowley
"Fred"  wrote ...
>        OK when you do it manually the camera has to store the data from
> the "white" sample you give it.  With Automatic balancing a factory
> standard white is stored in memory and the camera just references that
> instead of something supplied by the photographer/videographer.  It
> doesn't
> do as well a job of compensating for specific lighting conditions, but
> it's
> a good first approximation.

That's not really possible. The camera can't "store" a reference
white because it depends on the ambient lighting reflecting
back into the lens.  That's not to say that several manufacturers
haven't tried some sort of "auto-tracking white" scheme from
time to time, but I've never seen one that actually works.
Author
6 Apr 2007 11:27 PM
Gene E. Bloch
Show quote Hide quote
"AnthonyR." <nospam@sorryspammers.com> wrote in
news:46152706.3000301@sorryspammers.com:

> Richard Amirault wrote:
>> "Gene E. Bloch"  wrote ...
>>> I would be willing to bet (OK, maybe only a nickel) that your
>>> camcorder has custom white balance, but I'm too lazy right now
>>> to download the manual and find out for myself.
>>>
>>> Although that's not called manual, it does give a comparable
>>> capability.
>>
>> I have a Sony Digital 8 that *only* has automatic color balance.
>> My Sony Mini-DV has adjustable white balance.
>>
>> For the original poster ... What kind of circumstances are you
>> shootiing? What is the color of the subject? What is the color of
>> the background? What kind of room? Daytime? Nighttime? Windows?
>> Are the lightbulbs all the same type (mixed incandesant /
>> flourescant?)
>>
>
> Richard, when you say the camera has automatic white balance, what
> do you mean? How does it balance it? How do you tell it what is
> white? And if it's automatic, how does it do it?
> Usually, every camera I've ever owned even the cheapest, let's you
> point to a white object and hit a button so it can adjust to that
> being white.
>
> Does your manual in the Sony Digital 8 explain how it can possible
> determine a white subject on it's own (automatically)?
> It might have settings for daylight, tungsten, florescent etc...I
> can understand that, but auto, how?
>
> AnthonyR.
>

How about the simple way? Find out the average color of the scene,
assume that that average corresponds more or less to white - or
grey, which is a dirty white :-) - and choose a balance that makes
that average color look white.

This amounts to adjusting the gain of two of the colors so that
their average intensity equals that of the other color. Let us say,
adjust the levels of red and blue to match that of green.

--
Gene E. Bloch (Gino) ... letters617blochg3251
(replace the numbers by "at" and "dotcom")
Author
7 Apr 2007 1:05 PM
Rick Merrill
Gene E. Bloch wrote:
Show quoteHide quote
> "AnthonyR." <nospam@sorryspammers.com> wrote in
> news:46152706.3000301@sorryspammers.com:
>
>> Richard Amirault wrote:
>>> "Gene E. Bloch"  wrote ...
>>>> I would be willing to bet (OK, maybe only a nickel) that your
>>>> camcorder has custom white balance, but I'm too lazy right now
>>>> to download the manual and find out for myself.
>>>>
>>>> Although that's not called manual, it does give a comparable
>>>> capability.
>>> I have a Sony Digital 8 that *only* has automatic color balance.
>>> My Sony Mini-DV has adjustable white balance.
>>>
>>> For the original poster ... What kind of circumstances are you
>>> shootiing? What is the color of the subject? What is the color of
>>> the background? What kind of room? Daytime? Nighttime? Windows?
>>> Are the lightbulbs all the same type (mixed incandesant /
>>> flourescant?)
>>>
>> Richard, when you say the camera has automatic white balance, what
>> do you mean? How does it balance it? How do you tell it what is
>> white? And if it's automatic, how does it do it?
>> Usually, every camera I've ever owned even the cheapest, let's you
>> point to a white object and hit a button so it can adjust to that
>> being white.
>>
>> Does your manual in the Sony Digital 8 explain how it can possible
>> determine a white subject on it's own (automatically)?
>> It might have settings for daylight, tungsten, florescent etc...I
>> can understand that, but auto, how?
>>
>> AnthonyR.
>>
>
> How about the simple way? Find out the average color of the scene,
> assume that that average corresponds more or less to white - or
> grey, which is a dirty white :-) - and choose a balance that makes
> that average color look white.
>
> This amounts to adjusting the gain of two of the colors so that
> their average intensity equals that of the other color. Let us say,
> adjust the levels of red and blue to match that of green.
>

Your method is too slow. Find the most white and the most dark and make
them so and interpolate all other intensities between those ends.
Author
9 Apr 2007 6:01 PM
Gene E. Bloch
Rick Merrill <rick0.merrill@NOSPAM.gmail.com> wrote in
Show quoteHide quote
news:XPudnT0hEcqRCorbnZ2dnUVZ_rmdnZ2d@comcast.com:

> Gene E. Bloch wrote:
>> "AnthonyR." <nospam@sorryspammers.com> wrote in
>> news:46152706.3000301@sorryspammers.com:
>>
>>> Richard Amirault wrote:
>>>> "Gene E. Bloch"  wrote ...
>>>>> I would be willing to bet (OK, maybe only a nickel) that your
>>>>> camcorder has custom white balance, but I'm too lazy right now
>>>>> to download the manual and find out for myself.
>>>>>
>>>>> Although that's not called manual, it does give a comparable
>>>>> capability.
>>>> I have a Sony Digital 8 that *only* has automatic color
>>>> balance. My Sony Mini-DV has adjustable white balance.
>>>>
>>>> For the original poster ... What kind of circumstances are you
>>>> shootiing? What is the color of the subject? What is the color
>>>> of the background? What kind of room? Daytime? Nighttime?
>>>> Windows? Are the lightbulbs all the same type (mixed
>>>> incandesant / flourescant?)
>>>>
>>> Richard, when you say the camera has automatic white balance,
>>> what do you mean? How does it balance it? How do you tell it
>>> what is white? And if it's automatic, how does it do it?
>>> Usually, every camera I've ever owned even the cheapest, let's
>>> you point to a white object and hit a button so it can adjust to
>>> that being white.
>>>
>>> Does your manual in the Sony Digital 8 explain how it can
>>> possible determine a white subject on it's own (automatically)?
>>> It might have settings for daylight, tungsten, florescent
>>> etc...I can understand that, but auto, how?
>>>
>>> AnthonyR.
>>>
>>
>> How about the simple way? Find out the average color of the
>> scene, assume that that average corresponds more or less to white
>> - or grey, which is a dirty white :-) - and choose a balance that
>> makes that average color look white.
>>
>> This amounts to adjusting the gain of two of the colors so that
>> their average intensity equals that of the other color. Let us
>> say, adjust the levels of red and blue to match that of green.
>>
>
> Your method is too slow. Find the most white and the most dark and
> make them so and interpolate all other intensities between those
> ends.

Perhaps you could restate the above so that it makes sense, not
forgetting that we're in the context of computing white balance...

Since today's typical still camera can compute and display a
complete histogram in real time (some cameras display three
histograms, R, G, & B), and since the white balance has to be done
only once per session (if so desired), I wonder where  you got the
idea that my idea is too slow. Also, the computation I described is
just one extra step per pixel (incrementing a count in an array
indexed on the digitized value), so it could indeed be continuous if
desired, with no problem.

It also has the advantage that it is logically correct. I don't
think your proposed method is, but since it is so oddly phrased, I
can't be sure what you're proposing.

--
Gene E. Bloch (Gino) ... letters617blochg3251
(replace the numbers by "at" and "dotcom")
Author
10 Apr 2007 12:33 AM
Richard Amirault
"AnthonyR."
> Richard, when you say the camera has automatic white balance, what do you
> mean?

I meant just what I said. There is NO option for color balance on this
camera (Sony TRV-240)

> How does it balance it? How do you tell it what is white?
> And if it's automatic, how does it do it?

Hmmm ... How am I supposed to know that?

> Usually, every camera I've ever owned even the cheapest, let's you point
> to a white object and hit a button so it can adjust to that being white.
>

Yes, I have cameras like that. THIS camera does NOT have that option.

> Does your manual in the Sony Digital 8 explain how it can possible
> determine a white subject on it's own (automatically)?
> It might have settings for daylight, tungsten, florescent etc...I can
> understand that, but auto, how?
>
It has NO settings for ANYTHING in the color balance department.

I have footage where I re-aimed the camera during a continuous shoot from a
person at a podium to an LCD projector screen and you can see the camera
adjust the color balance after a second or two.

PS. This camera is not a bare bones model. I have a manual focus ring (not
mechanically coupled to the lens, but it works) and I have a jack for an
external mic (which I use *often*)
--
Richard Amirault,  Boston, MA, USA
http://n1jdu.org
http://n1jdu.org/Fandom/science.htm

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