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Camcorder image stabilizing comparisons?
I spent sometime yesterday in my friendly neighborhood big box store evaluating compact Mini-DV camcorders between $400 and $700. The store has all the cameras connected to a video monitor so you can view a TV size image of your results. After doing some basic comparisons for image quality and ergonomics, the Panasonic line of compact camcorders was in the lead. They felt great in my hand, and the buttons could easily be manipulated without changing hand position (for one handed use). The Panasonic cameras featured 3 CCD technology that made for impressive images. My young daughter wandered by and looked at the side-by-side display of the Panasonic and a Sony. Her comment.... The Sony almost looks black and white. OK, I'm almost sold. My last test was comparing image stabilization. Imagine my surprise when the Sony cameras crushed the others when it came to a stable pic. The Sony cameras were more stable at 20x than the Panasonic cameras at 10x or 12x. I don't have stable hands and the stability of the image off a tripod is a crucial feature for me. I grabbed around 6 different Canon camcorders that functioned much like the Panasonics. At high zoom the image was unusable. To the best of my knowledge, all these cameras feature image stabilization, but compared to the Sonys, the others just seemed faulty or disabled. I asked a few of the sales folks, if maybe the other cameras had this feature turned off. For the most part they had no clue (I think I knew more about camcorders with 30 minutes of playing then they did). Finally the 4th salesman said that all the cams had image stabilization, and it was always active. I looked through several menus and found no options to turn stabilization on or off. I grabbed a high ticket ($100) Panasonic, that I believe has optical stabilization. At full zoom it worked well, but the image had a tendency to float around a bit that was absent in the Sony cameras. In my opinion, the Li'l Sony HC32 had image stabilization that crushed all other non-Sony cameras up to the $1000 mark. I came home and looked up camcorder reviews on camcorderinfo.com. I was surprised and disappointed that the evaluations do not even bother to have a category for evaluation such a crucial feature as image stabilization on a hand held camcorder. There was only a passing acknowledgement that the cameras had image stabilization and that black lines may be present if you film a TV monitor (near useless information). I tested them over and over with the same results. My wife picked up the cause, with the same results. My kids evaluated the images and came to the same conclusion. The Sony cameras provide stable images at high zoom (10x-20x)......The others were unusable at similar or lesser zoom (hand held). What's up here? Is Sony stabilizing that far and away superior to the others? I really want the Panasonic for the beautiful images and great ergonomics, but the shaky images were a showstopper. Help!!! Tracy
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"starcolony" <pizza2004***@yahoo.com> wrote in I believe every one of those cameras has a menu option somehwere to news:1119297441.491444.203610@g43g2000cwa.googlegroups.com: > Greetings, > > I spent sometime yesterday in my friendly neighborhood big box > store evaluating compact Mini-DV camcorders between $400 and $700. > > The store has all the cameras connected to a video monitor so you > can view a TV size image of your results. After doing some basic > comparisons for image quality and ergonomics, the Panasonic line > of compact camcorders was in the lead. They felt great in my hand, > and the buttons could easily be manipulated without changing hand > position (for one handed use). The Panasonic cameras featured 3 > CCD technology that made for impressive images. My young daughter > wandered by and looked at the side-by-side display of the > Panasonic and a Sony. Her comment.... The Sony almost looks black > and white. OK, I'm almost sold. > > My last test was comparing image stabilization. Imagine my > surprise when the Sony cameras crushed the others when it came to > a stable pic. The Sony cameras were more stable at 20x than the > Panasonic cameras at 10x or 12x. I don't have stable hands and the > stability of the image off a tripod is a crucial feature for me. I > grabbed around 6 different Canon camcorders that functioned much > like the Panasonics. At high zoom the image was unusable. To the > best of my knowledge, all these cameras feature image > stabilization, but compared to the Sonys, the others just seemed > faulty or disabled. > > I asked a few of the sales folks, if maybe the other cameras had > this feature turned off. For the most part they had no clue (I > think I knew more about camcorders with 30 minutes of playing then > they did). Finally the 4th salesman said that all the cams had > image stabilization, and it was always active. I looked through > several menus and found no options to turn stabilization on or > off. > > I grabbed a high ticket ($100) Panasonic, that I believe has > optical stabilization. At full zoom it worked well, but the image > had a tendency to float around a bit that was absent in the Sony > cameras. In my opinion, the Li'l Sony HC32 had image stabilization > that crushed all other non-Sony cameras up to the $1000 mark. > > I came home and looked up camcorder reviews on camcorderinfo.com. > I was surprised and disappointed that the evaluations do not even > bother to have a category for evaluation such a crucial feature as > image stabilization on a hand held camcorder. There was only a > passing acknowledgement that the cameras had image stabilization > and that black lines may be present if you film a TV monitor (near > useless information). > > I tested them over and over with the same results. My wife picked > up the cause, with the same results. My kids evaluated the images > and came to the same conclusion. The Sony cameras provide stable > images at high zoom (10x-20x)......The others were unusable at > similar or lesser zoom (hand held). > > What's up here? Is Sony stabilizing that far and away superior to > the others? I really want the Panasonic for the beautiful images > and great ergonomics, but the shaky images were a showstopper. > > Help!!! > > Tracy > > turn stabilization off and on. For one thing, in certain circumstances, stabilization causes artifacts in the recording, so it is important to be able to control it. One of theose "certain circumstances" is, according to posts in video newgroups, when the 'corder is on a tripod. That seems weird to me, but anyway, it is a popular opinion. Many manufacturers have PDF manuals on their websites...Look up your favorites and check out what I claim. Gino -- Gene E. Bloch (Gino) letters617blochg3251 replace the numbers by "at" and "dotcom" "Gene E. Bloch" <hamburger@NOT_SPAM.invalid> wrote in message This is true only for electronic image stabilization (EIS). The problemnews:Xns967B888414C17Astrolabe@216.196.97.136... > > > > For one thing, in certain circumstances, stabilization causes > artifacts in the recording, so it is important to be able to control > it. > > One of theose "certain circumstances" is, according to posts in > video newgroups, when the 'corder is on a tripod. That seems weird > to me, but anyway, it is a popular opinion. occurs if the camera "thinks" that subject movement is actually camera movement and tries to compensate. This is always a concern with EIS, incidently, whether or not the camera is on a tripod. Also, when starting a pan, the EIS system will try to compensate for the initial start and stop, confusing it with shake. Show quoteHide quote > > Many manufacturers have PDF manuals on their websites...Look up your > favorites and check out what I claim. > > Gino > > -- > Gene E. Bloch (Gino) > letters617blochg3251 > replace the numbers by "at" and "dotcom" The best image stabilizer is, and always will be, a tripod.
-- Show quoteHide quoteTzortzakakis Dimitrios major in electrical engineering, freelance electrician FH von Iraklion-Kreta, freiberuflicher Elektriker dimtzort AT otenet DOT gr Ï "PTravel" <ptra***@travelersvideo.com> Ýãñáøå óôï ìÞíõìá news:3hoqb5Fhvc26U1@individual.net... > > "Gene E. Bloch" <hamburger@NOT_SPAM.invalid> wrote in message > news:Xns967B888414C17Astrolabe@216.196.97.136... > > > > > > > For one thing, in certain circumstances, stabilization causes > > artifacts in the recording, so it is important to be able to control > > it. > > > > One of theose "certain circumstances" is, according to posts in > > video newgroups, when the 'corder is on a tripod. That seems weird > > to me, but anyway, it is a popular opinion. > > This is true only for electronic image stabilization (EIS). The problem > occurs if the camera "thinks" that subject movement is actually camera > movement and tries to compensate. This is always a concern with EIS, > incidently, whether or not the camera is on a tripod. Also, when starting a > pan, the EIS system will try to compensate for the initial start and stop, > confusing it with shake. > > > > > > Many manufacturers have PDF manuals on their websites...Look up your > > favorites and check out what I claim. > > > > Gino > > > > -- > > Gene E. Bloch (Gino) > > letters617blochg3251 > > replace the numbers by "at" and "dotcom" > > "Dimitrios Tzortzakakis" <dimtz***@otenet.gr> wrote in <SNIP>news:d9953a$ri7$1@usenet.otenet.gr: > The best image stabilizer is, and always will be, a tripod. > > -- > Tzortzakakis Dimitrios > major in electrical engineering, freelance electrician > FH von Iraklion-Kreta, freiberuflicher Elektriker > dimtzort AT otenet DOT gr > Ï "PTravel" <ptra***@travelersvideo.com> Ýãñáøå óôï ìÞíõìá > news:3hoqb5Fhvc26U1@individual.net... Not here in California. Gino -- Gene E. Bloch (Gino) letters617blochg3251 replace the numbers by "at" and "dotcom" "starcolony" <pizza2004***@yahoo.com> wrote in message I do hope that your "high ticket ($100) Panasonic" is a typo! Otherwisenews:1119297441.491444.203610@g43g2000cwa.googlegroups.com... > Greetings, > > I spent sometime yesterday in my friendly neighborhood big box store > evaluating compact Mini-DV camcorders between $400 and $700. > I grabbed a high ticket ($100) Panasonic, that I believe has optical > stabilization. there's absolutely no hope for us in the UK!! I've been using Sony camcorders (TRV22 & TRV60) for the last 2 years, mainly without tripod, and if I'm careful, I can just about get away with tolerable steadiness handheld at full zoom, 10x. Any previous exertion on my part, and it's obvious that I'm handholding, but that probably says more about my poor physical fitness. I never use digital zoom. One strange effect is that my TRV22 footage comes out looking OK with regard to my sense of verticality, whereas that from the TRV60 nearly always has a noticeable (to me) tilt away from vertical, and it's always in the same direction. I'm wondering if the viewfinder is tilted, and that I compensate when filming. (Tests with both cameras on a tripod have not yet shown what's going on.) Another feature you might care to keep track of, is whether the camera has a headphonce socket. Very useful particularly if you're using an external microphone. Before monitoring with phones, I managed to film a band with the mike jack not quite pushed home, and was rewarded with <silence>. You could also try the reviews on the www.simplydv.co.uk website.
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"Malcolm Stewart" <malcolm_stew***@megalith.freeserve.co.uk> wrote in Try this:message news:d97977$6al$1@newsg1.svr.pol.co.uk... > "starcolony" <pizza2004***@yahoo.com> wrote in message > news:1119297441.491444.203610@g43g2000cwa.googlegroups.com... > > Greetings, > > > > I spent sometime yesterday in my friendly neighborhood big box store > > evaluating compact Mini-DV camcorders between $400 and $700. > > > I grabbed a high ticket ($100) Panasonic, that I believe has optical > > stabilization. > > I do hope that your "high ticket ($100) Panasonic" is a typo! Otherwise > there's absolutely no hope for us in the UK!! > > I've been using Sony camcorders (TRV22 & TRV60) for the last 2 years, mainly > without tripod, and if I'm careful, I can just about get away with tolerable > steadiness handheld at full zoom, 10x. Any previous exertion on my part, > and it's obvious that I'm handholding, but that probably says more about my > poor physical fitness. Place the camera over your neck and one shoulder, bandolier-style. Adjust the neck strap so that the camera sits over your belly and below your chest. Place one hand inside the strap so that there is a little bit of tension on it. Rest the back of the camera against your body. You'll find that, though it takes a bit of practice, using this technique you can get extremely steady hand-held shots. > I never use digital zoom. I find I do that, regardless of the camera that I use.> One strange effect is that my TRV22 footage comes out looking OK with regard > to my sense of verticality, whereas that from the TRV60 nearly always has a > noticeable (to me) tilt away from vertical, and it's always in the same > direction. I'm wondering if the viewfinder is tilted, and that I compensate > when filming. (Tests with both cameras on a tripod have not yet shown > what's going on.) Show quoteHide quote > > Another feature you might care to keep track of, is whether the camera has a > headphonce socket. Very useful particularly if you're using an external > microphone. Before monitoring with phones, I managed to film a band with > the mike jack not quite pushed home, and was rewarded with <silence>. > You could also try the reviews on the www.simplydv.co.uk website. > -- > M Stewart > Milton Keynes, UK > http://www.megalith.freeserve.co.uk/oddimage.htm > > > > OK, here are some updates based on the replies I received.
I indeed dropped a zero on the high ticket Panasonic price ($1000). I am limited to a 24k Dial-up line, so downloading PDF manuals can be like watchin' grass grow. D'oh! The cameras at the store had 2 cameras per monitor, with a switch to toggle. The cameras were all hard wired, with theft protection, making swapping things around not a possibility. The dramatic case of the superior Panasonic pic (GSV65?) happened to be connected to the same monitor as the Sony HC42. It was no contest toggling back and forth. The other cameras typically were not on the same monitor, but close enough distance wise to make a comparison. In all cases the Panasonic had the superior image in color and detail (4 out of 4). If all the other monitors were misadjusted, that would be an amazing coincidence. Just callin' it like I saw it. All cameras were using optical zoom only. While technique is a very important component, it does not improve the inherent physical stability characteristics of any given camera. All cameras were held as much as possible with the same technique to allow for comparisons between the different cameras. The Sony cameras ruled. At 20x I had a usable pic. The others were unusable at 10x and above. It wasn't even close. When make my final decision on a camera, I will then work on technique to improve the overall results. The Sony VX2100 is in a whole different universe of quality, cost, size, etc. I am simply trying to make image stability comparisons between mid-price, consumer grade, compact, point and shoot cameras. I'll see what I can do to find out if the Panasonics and the Canons inadvertently had the stabilization turned off. If all are on and I receive the same results, I will have to conclude that Sony has a massive advantage with regards to image stabilization. For some this may not be a huge concern. For me, I have some physical limitations and need the camera to provide very good image stability. From there I will have to set my priorities and make a choice. Thanks for the input. TR I think the 20x zooms are basically a marketing gimmick and no matter
how good the stabilization is, the optical quality is going to be awful at that magnification. Good cameras like the VX2100 not only have larger and more expensive lenses, but they have smaller zoom ranges, like 12x instead of 20x. I have a Sony TRV87 whose optics are probably comparable to today's midrange mini-DV cameras. It's reasonably sharp at normal magnification but very soft at 20x. "Paul Rubin" <http://phr.cx@NOSPAM.invalid> wrote in message Very good point.news:7xoea0tr7t.fsf@ruckus.brouhaha.com... >I think the 20x zooms are basically a marketing gimmick and no matter > how good the stabilization is, the optical quality is going to be > awful at that magnification. Good cameras like the VX2100 not only > have larger and more expensive lenses, but they have smaller zoom > ranges, like 12x instead of 20x. I have a Sony TRV87 whose optics are > probably comparable to today's midrange mini-DV cameras. It's > reasonably sharp at normal magnification but very soft at 20x. Extreme zoom, whether optical or digital, is one of a number of marketing gimmicks adopted by camcorder manufacturers. It's a shame that they're focusing on gimmicks rather than image quality, as they used to. Show quoteHide quote > "starcolony" <pizza2004***@yahoo.com> wrote in message Well, I'm not sure that's really relevant. I have a VX2000, which comes news:1119314977.722941.25590@g47g2000cwa.googlegroups.com... > > While technique is a very important component, it does not improve the > inherent physical stability characteristics of any given camera. with excellent OIS. However, because it's OIS, it doesn't work well with accessory lenses, so I turn it off when I shoot with a wideangle. Now, wide angle will automatically appear more stable, but I found that, even zoomed in, I could shoot as steady without OIS as with it. >All Well, sure. My only point in mentioning it was to give you an idea of the > cameras were held as much as possible with the same technique to allow > for comparisons between the different cameras. The Sony cameras ruled. > At 20x I had a usable pic. The others were unusable at 10x and above. > It wasn't even close. When make my final decision on a camera, I will > then work on technique to improve the overall results. > > The Sony VX2100 is in a whole different universe of quality, cost, > size, etc. standard against which other camcorders should be measured. Show quoteHide quote > I am simply trying to make image stability comparisons > between mid-price, consumer grade, compact, point and shoot cameras. > > I'll see what I can do to find out if the Panasonics and the Canons > inadvertently had the stabilization turned off. If all are on and I > receive the same results, I will have to conclude that Sony has a > massive advantage with regards to image stabilization. For some this > may not be a huge concern. For me, I have some physical limitations and > need the camera to provide very good image stability. From there I will > have to set my priorities and make a choice. > > Thanks for the input. > > TR >
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"starcolony" <pizza2004***@yahoo.com> wrote in message Which suggests that the monitors to which the cameras were connected weren'tnews:1119297441.491444.203610@g43g2000cwa.googlegroups.com... > Greetings, > > I spent sometime yesterday in my friendly neighborhood big box store > evaluating compact Mini-DV camcorders between $400 and $700. > > The store has all the cameras connected to a video monitor so you can > view a TV size image of your results. After doing some basic > comparisons for image quality and ergonomics, the Panasonic line of > compact camcorders was in the lead. They felt great in my hand, and the > buttons could easily be manipulated without changing hand position (for > one handed use). The Panasonic cameras featured 3 CCD technology that > made for impressive images. My young daughter wandered by and looked at > the side-by-side display of the Panasonic and a Sony. Her comment.... > The Sony almost looks black and white. OK, I'm almost sold. adjusted properly. From what I've seen, the cheaper Panasonic 3-ccd machines do not produce better images than Sony's better 1-ccd machines. To conduct a valid comparison, you should connect each camera to the same monitor. Show quoteHide quote > Image stabilization can be turned on and off in any camcorder so-equipped> My last test was comparing image stabilization. Imagine my surprise > when the Sony cameras crushed the others when it came to a stable pic. > The Sony cameras were more stable at 20x than the Panasonic cameras at > 10x or 12x. I don't have stable hands and the stability of the image > off a tripod is a crucial feature for me. I grabbed around 6 different > Canon camcorders that functioned much like the Panasonics. At high zoom > the image was unusable. To the best of my knowledge, all these cameras > feature image stabilization, but compared to the Sonys, the others just > seemed faulty or disabled. > > I asked a few of the sales folks, if maybe the other cameras had this > feature turned off. For the most part they had no clue (I think I knew > more about camcorders with 30 minutes of playing then they did). > Finally the 4th salesman said that all the cams had image > stabilization, and it was always active. I looked through several menus > and found no options to turn stabilization on or off. that I've seen. Good shooting technique is as, or even more, important to steady video than image stabilization. At the price range you're looking at, all stabilization will be EIS, i.e. electronic image stabilization, as opposed to OIS (optical image stabilization) that is used in prosumer cameras. Usually, EIS detects shake algorithmically by examining the image, rather than with motion-sensing devices as in OIS-equipped units. The difference that you noted at 20x may also be a function of whether a particular camera used "digital zoom" (a useless, image-degrading gimmick) or true optical zoom provided by the lens. For what it's worth, trying to handhold a consumer camcorder beyond 10x and get really good steady shots is virtually impossible, regardless of stabilization technology. > If you want to see a good miniDV camcorder, take a look at Sony's VX2100.> I grabbed a high ticket ($100) Panasonic, that I believe has optical > stabilization. At full zoom it worked well, but the image had a > tendency to float around a bit that was absent in the Sony cameras. In > my opinion, the Li'l Sony HC32 had image stabilization that crushed all > other non-Sony cameras up to the $1000 mark. After you do, you will, however, be disappointed with anything priced below it. It will give you a benchmark for what can be done with tmedium. > It's a good website, but Robin Liss has some strange biases and opinions. I> I came home and looked up camcorder reviews on camcorderinfo.com. wouldn't take what's there as gospel. > I was Image stabilization is a standard feature on consumer camcorders, and I'm> surprised and disappointed that the evaluations do not even bother to > have a category for evaluation such a crucial feature as image > stabilization on a hand held camcorder. There was only a passing > acknowledgement that the cameras had image stabilization and that black > lines may be present if you film a TV monitor (near useless > information). not sure there's all that much variation between them. As I said, good shooting technique is far more important than technical stabilization solutions. > Sony, at least in their higher-end ranges, tends to produce a better> I tested them over and over with the same results. My wife picked up > the cause, with the same results. My kids evaluated the images and came > to the same conclusion. The Sony cameras provide stable images at high > zoom (10x-20x)......The others were unusable at similar or lesser zoom > (hand held). > > What's up here? Is Sony stabilizing that far and away superior to the > others? I really want the Panasonic for the beautiful images and great > ergonomics, but the shaky images were a showstopper. consumer camcorder. As I said, the cheapie Panasonic 3-ccd machines are more about marketing than image quality. The most important factors in a camcorder is sensor size and sensor density. The smaller the sensor, the poor the low-light performance. The more dense the sensor (to accomodate still photo gimmicks) the poorer the low-light performance and, frequently, the more digital artifacting. When you test a camcorder, try it in both low light and bright light, and make sure you shoot subjects with lots of strong horizontal lines, e.g. tall buildings, sidewalks, etc. -- poor digital artifact characteristics will manifest themselves most often with such subjects. Show quoteHide quote > > Help!!! > > Tracy > PTravel wrote:
> At the price range you're looking at, all stabilization Sony uses two "angular velocity sensors" - one for the horizontal > will be EIS, i.e. electronic image stabilization, as > opposed to OIS (optical image stabilization) that is > used in prosumer cameras. Usually, EIS detects shake > algorithmically by examining the image, rather than > with motion-sensing devices as in OIS-equipped units. direction, the other one for the vertical direction - for their SteadyShot feature. (This is the case at least in the 1st generation Digital8 camcorders, which do not have OIS but do have EIS.) The service manual gives instructions on how to calibrate these if they have to be replaced. If not all manufacturers are using "angular velocity sensors" for their EIS feature, but depend on analyzing image content only, perhaps the difference the OP is seeing is due to this fact? -- znark
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"Jukka Aho" <jukka.***@iki.fi> wrote in message It's possible, but I also wouldn't go by what Sony did with their D8 news:NsPte.7634$cZ2.5586@reader1.news.jippii.net... > PTravel wrote: > >> At the price range you're looking at, all stabilization >> will be EIS, i.e. electronic image stabilization, as >> opposed to OIS (optical image stabilization) that is >> used in prosumer cameras. Usually, EIS detects shake >> algorithmically by examining the image, rather than >> with motion-sensing devices as in OIS-equipped units. > > Sony uses two "angular velocity sensors" - one for the horizontal > direction, the other one for the vertical direction - for their SteadyShot > feature. (This is the case at least in the 1st generation Digital8 > camcorders, which do not have OIS but do have EIS.) > > The service manual gives instructions on how to calibrate these if they > have to be replaced. > > If not all manufacturers are using "angular velocity sensors" for their > EIS feature, but depend on analyzing image content only, perhaps the > difference the OP is seeing is due to this fact? machines. Sony distinguishes between "SteadyShot" and "SuperSteadyShot." From what I understand, the latter can mean two different things depending on which camera you're talking about. Perhaps "SuperSteadyShot" refers to the velocity sensors, whereas "SteadyShot" is algorithmic. I also wonder whether the lenses on the cameras were comparable. If the Sony's is wider than the Panasonic, 20x zoom will be wider as well, and appear steadier. Show quoteHide quote > > -- > znark > > PTRAVEL wrote:
Show quoteHide quote >>> At the price range you're looking at, all stabilization My first-hand experiences of this are limited to DCR-TRV210E, which is >>> will be EIS, i.e. electronic image stabilization, as >>> opposed to OIS (optical image stabilization) that is >>> used in prosumer cameras. Usually, EIS detects shake >>> algorithmically by examining the image, rather than >>> with motion-sensing devices as in OIS-equipped units. >> Sony uses two "angular velocity sensors" - one for the horizontal >> direction, the other one for the vertical direction - for their >> SteadyShot feature. (This is the case at least in the 1st generation >> Digital8 camcorders, which do not have OIS but do have EIS.) >> >> The service manual gives instructions on how to calibrate these if >> they have to be replaced. >> >> If not all manufacturers are using "angular velocity sensors" for >> their EIS feature, but depend on analyzing image content only, >> perhaps the difference the OP is seeing is due to this fact? > It's possible, but I also wouldn't go by what Sony did with their D8 > machines. Sony distinguishes between "SteadyShot" and > "SuperSteadyShot." From what I understand, the latter can mean two > different things depending on which camera you're talking about. > Perhaps "SuperSteadyShot" refers to the velocity sensors, whereas > "SteadyShot" is algorithmic. labeled as only having "SteadyShot", not "SuperSteadyShot". 210E is covered by the service manual mentioned above, and it _does_ have the velocity sensors. Hence, "Super" must indicate something else. According to the service manuals I have access to, Sony has used pitch/yaw velocity sensors at least in the following models: MiniDV: DCR-PC1/PC1E DCR-PC2E/PC3/PC3E DCR-PC10/PC10E DCR-PC100/PC100E DCR-TRV5/TRV5E DCR-TRV8/TRV8E/TRV10/TRV10E DCR-TRV9/TRV9E DCR-TRV890E/TRV900/TRV900E Digital8: DCR-TRV103/TRV110/TRV110E/TRV110P/TRV203 DCR-TRV210/TRV210E/TRV310/TRV310E/TRV310P/TRV315 DCR-TR7000/TR7000E/TR7100E DCR-TRV410/TRV410E/TRV510/TRV510E The list is probably longer and I would believe it extends to present-day models as well, but I don't have the service manuals for any more recent models at my disposal. -- znark I didn't notice any discussion about the difference between optical
and digital stabilization. I've never used digital stabilization (at least not in the camera - it's a post-production option in some editors) - because the "word on the street" is that although it looks snazzy at first, it degrades the picture enough that "most" owners turn it off and do without, rather than put up with it. I'm not sure of the truth in that statement - things may be better, or I was listening to the wrong wizards when I heard it. Assuming optical stabilization is really what you want, I think Canon invented it, and Sony and Panasonic use it under license from them. None of them include it on their cheaper models. I think Sony calls it SuperSteadyShot when they do. Afaik Canon just callis it optical image stabilization. Optical stabilization employs motion sensors that attempt to move the optics quickly enough to keep the image in the same place on the focal plane, nominally offering a "perfect" image. Electronic stabilization detects movement of the image on the focal plane and records data from a different place on the focal plane each time. Other than the fact that the process requires the image to be smaller than the focal plane to provide the wiggle room I'm not sure why the degradation. The camera makers do indeed recommend that you not use stabilization, even the optical kind, when tripod mounted. My opinion, fairly uninformed about the current market, is that you should buy an optically-stabilized camera from any of the three makers mentioned. I've not used Panasonic, but in the 20x zoom range decent Canon and Sony cameras are pleasant to use hand-held (although at 20x there may be noticeable but not irritating "wandering") "starcolony" <pizza2004***@yahoo.com> wrote: ----------------->Greetings, > >I spent sometime yesterday in my friendly neighborhood big box store >evaluating compact Mini-DV camcorders between $400 and $700. www.Newsgroup-Binaries.com - *Completion*Retention*Speed* Access your favorite newsgroups from home or on the road ----------------- "JT" <NgPos***@missing.org> wrote in message Post-production digitial stabilization degrades the image. However, news:ukreb11g6legpjeorjr7vs1mg0gfpe1lpo@4ax.com... >I didn't notice any discussion about the difference between optical > and digital stabilization. I've never used digital stabilization (at > least not in the camera - it's a post-production option in some > editors) - because the "word on the street" is that although it looks > snazzy at first, it degrades the picture enough that "most" owners > turn it off and do without, rather than put up with it. > > I'm not sure of the truth in that statement - things may be better, or > I was listening to the wrong wizards when I heard it. in-camera digital stabilization generally will not. It does, however, create other problems which, I think, I described in another post. Show quoteHide quote > There isn't degradation in the camera. In post, the stabilization process > Assuming optical stabilization is really what you want, I think Canon > invented it, and Sony and Panasonic use it under license from them. > None of them include it on their cheaper models. I think Sony calls it > SuperSteadyShot when they do. Afaik Canon just callis it optical image > stabilization. > > Optical stabilization employs motion sensors that attempt to move the > optics quickly enough to keep the image in the same place on the focal > plane, nominally offering a "perfect" image. Electronic stabilization > detects movement of the image on the focal plane and records data from > a different place on the focal plane each time. Other than the fact > that the process requires the image to be smaller than the focal plane > to provide the wiggle room I'm not sure why the degradation. is restricted to the resolution of the frame, and compensates by enlarging and then moving within the enlarged frame. This results in image degradation and pixelation. > I think it will be difficult for the OP to find OIS in her price range. EIS > The camera makers do indeed recommend that you not use stabilization, > even the optical kind, when tripod mounted. > > My opinion, fairly uninformed about the current market, is that you > should buy an optically-stabilized camera from any of the three makers > mentioned. should be more than adequate. Show quoteHide quote > I've not used Panasonic, but in the 20x zoom range decent > Canon and Sony cameras are pleasant to use hand-held (although at 20x > there may be noticeable but not irritating "wandering") > > "starcolony" <pizza2004***@yahoo.com> wrote: > >>Greetings, >> >>I spent sometime yesterday in my friendly neighborhood big box store >>evaluating compact Mini-DV camcorders between $400 and $700. > > ----------------- > www.Newsgroup-Binaries.com - *Completion*Retention*Speed* > Access your favorite newsgroups from home or on the road > ----------------- JT <NgPos***@missing.org> writes:
>Optical stabilization employs motion sensors that attempt to move the Camera shake causes the image to move continuously on the sensor. This>optics quickly enough to keep the image in the same place on the focal >plane, nominally offering a "perfect" image. Electronic stabilization >detects movement of the image on the focal plane and records data from >a different place on the focal plane each time. Other than the fact >that the process requires the image to be smaller than the focal plane >to provide the wiggle room I'm not sure why the degradation. causes each individual video frame to be somewhat blurred, as well as the position of everything in the frame to wander from frame to frame. Digital image stabilization, as well as stabilization done in an editing program, re-registers each successive frame with the frames before it. When successful, it removes the frame-to-frame position wander, but it can't unblur the individual frames. Optical image stabilization, when working properly, makes the image stationary on the sensor. This avoids the blurring as well as the frame-to-frame wandering. So the video is sharper at the same shutter speed, and the camera manufacturer isn't tempted to use a higher shutter speed to reduce blur (which has other side effects). Dave
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"Dave Martindale" <da***@cs.ubc.ca> wrote in message One downside of OIS is that internal reflections in the lens tend to dancenews:d99enj$jfv$1@mughi.cs.ubc.ca... > JT <NgPos***@missing.org> writes: > > >Optical stabilization employs motion sensors that attempt to move the > >optics quickly enough to keep the image in the same place on the focal > >plane, nominally offering a "perfect" image. Electronic stabilization > >detects movement of the image on the focal plane and records data from > >a different place on the focal plane each time. Other than the fact > >that the process requires the image to be smaller than the focal plane > >to provide the wiggle room I'm not sure why the degradation. > > Camera shake causes the image to move continuously on the sensor. This > causes each individual video frame to be somewhat blurred, as well as > the position of everything in the frame to wander from frame to frame. > > Digital image stabilization, as well as stabilization done in an editing > program, re-registers each successive frame with the frames before it. > When successful, it removes the frame-to-frame position wander, but it > can't unblur the individual frames. > > Optical image stabilization, when working properly, makes the image > stationary on the sensor. This avoids the blurring as well as the > frame-to-frame wandering. So the video is sharper at the same shutter > speed, and the camera manufacturer isn't tempted to use a higher shutter > speed to reduce blur (which has other side effects). as the optics change in response to the motion correction. Overall, however, I prefer OIS to EIS. Show quoteHide quote > > Dave In article <1119297441.491444.203***@g43g2000cwa.googlegroups.com>,
"starcolony" <pizza2004***@yahoo.com> wrote: Electronic stabilisation uses some of the pixels to correct small camera > > I grabbed a high ticket ($100) Panasonic, that I believe has optical > stabilization. At full zoom it worked well, but the image had a > tendency to float around a bit that was absent in the Sony cameras. In > my opinion, the Li'l Sony HC32 had image stabilization that crushed all > other non-Sony cameras up to the $1000 mark. > movements, so there's some reduction in resolution from what you'd expect from the full pixel count. Turning EIS off may or may not increase resolution depending on the design. Better videocameras give you better resolution, partly because they use optics to smooth out your jitters and keep the pixels for the screen image. That said, different brands have different settings for when they decide what's a jiggle and what's a pan. If they hold onto an image for a longish time, then it may seem very steady. However, if you get really shakey, then the image may *jump* dramatically to the new position, which looks like a jump cut. My old JVC SVHS did this. Or, the algorithm may shift the image earlier, which doesn't seem as steady at first, but actually may give video with more unnoticeable small jumps rather than a few big ones (like my old Canon ZR and my current Panasonic GS400). Another approach is to kind of keep everything swimming all the time, which is smoother maybe, but makes me seasick. Canon IS binoculars do this. I used a Sony VX2000 for a few years, and it did have a nice happy medium--not too jumpy, not too swimmy. It was also a bigger camera, which makes things smoother. Video pros don't get too excited about image stabilisation, because a good camera operator has a curiously dead nervous system that just doesn't jiggle the camera. Born with it I guess (I'm not). As well, pans are made choppy by the image stabilisation, so they turn it off. And they use a tripod for anything farther than spitting distance. The ENG guys have shoulder braces, steadycams, etc. on big heavy expensive cameras. Candid home video and vacation shooting is a lot more demanding than planned shoots, so you really need to practice holding the camera steady and leaning on whatever's handy to steady yourself. Some jiggle can be removed in your editing software too. If you found the Sony cameras to have the best EIS for you, then go with them. The other problem home videomakers have is lack of light in their typical indoor settings, and the HC32 apparently has a noisy picture in low light, so you might want to go up to the next model. Kent Clarke <ke***@dot.org> writes:
>Electronic stabilisation uses some of the pixels to correct small camera That depends on the camera implementation. If it is already using all>movements, so there's some reduction in resolution from what you'd >expect from the full pixel count. of the CCD pixels in non-stabilized mode, then it has to use a smaller area and upsample those pixels in order to get the "extra" image size needed for EIS to work. But the camera may have an oversize CCD, with non-stabilized mode simply using a centered portion of that CCD. Then the extra pixels needed for EIS are already available without upsampling and thus there is no loss of resolution. The same effect happens when you select widescreen mode. On some cameras with a 4:3 sensor that's fully used in 4:3 mode, widescreen is implemented by discarding some of the top and bottom and stretching the rest of the image vertically. This loses vertical resolution. But other cameras have an oversize CCD whose full width is not used in 4:3 mode, and when you switch to widescreen the camera simply captures more pixels from the same number of scanlines and compresses the image horizontally. This does not have any resolution penalty. In both cases, you can tell the difference by comparing field of view. If you switch on EIS and the image gets larger, it's being resampled. If you switch on widescreen mode and the horizontal field of view stays the same while the vertical FOV decreases, you have the first implementation of widescreen. If the vertical FOV stays the same while the horizontal FOV increases, you have the second version. Dave
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