|
pc
newsgroups
|
|||||||||||||||||||||||
|
|||||||||||||||||||||||
Re: problem of head on camcorder, help
It's well-intentioned, but has a fair amount of incorrect information. Specifically: 1. Premiere is capable of time-code based scene detection on capture. You're wrong when you say it can only import entire clips. It also will run on less than 512 meg of RAM. 2. Capture can be done within a video editor, but can also be done with specialized tools, e.g. Scenealyzer Live. These are capable of optical scene detection, as well as time-code-based scene detection, and can also preview a tape to allow clip-specific captures. 4. AVI and mpeg are particularly poor choices for sending video over the internet. High-compression formats, e.g. Apple's .mov Quicktime or Microsoft's .wmv are much better. 5. "Most people have a VHS recorder, but DVD can present problems"? That may be true in Britain, I don't know. It's certainly not true in the US, where you can buy DVD players for as little as $25. 6. What set-top DVD players do you know that will play DVD-RAM? 7. Most miniDV camcorders do NOT provide the highest quality video. Contemporary consumer camcorders are dismal kludges that produce grainy, noisey video. Most Hi8 camcorders will produce higher-quality video. 6. "Movies" shot in low light are not grainy, etc. unless shot with poor-quality consumer camcorders. My camcorder is a VX2000 miniDV and it produces brilliant, sharp, saturated non-grainy video by the light of a single candle. There's nothing inherent in either digital formats, generally, or the miniDV format, specifically, that results in poor low-light performance. The effect that you describe is the result of deliberate design compromises introduced by camcorder manufactures in their lower-end consumer machines. 7. "Nightshot" is simply infra-red sensitive videography. It is not limited to 3 feet and produces wonderful results with good camcorders. 8. PAL camcorders are available from reputable dealers in the US at good prices, e.g. B&H and Adorama, both of which are extremely ethical, reliable and will readily accept returns and exchanges. 9. Neither Digital8 nor MiniDV support component video as part of the spec. 10. You wrote: " You should also be aware that shooting in low light (no matter what the manufacturer claims) results in a substantial loss of quality." That's utterly and completely wrong. Have you ever seen the output of a decent miniDV camcorder? 11. AVI isn't "uncompressed." AVI is nothing more than a file wrapper which can accomodate a variety of codec-encoded video formats. HuffyUV-encoded avi is compressed, but non-lossy. DV-25, i.e. miniDV and Digital8, encoded avi is most definitely encoded in lossy format at a ratio of about 5 to 1. I don't have time to review everything else on your website. I appreciate your interest in helping other amateurs, but jumping in with misleading or simply erroneous information does more harm than good. In message <3etep1F4tfq***@individual.net>, PTRAVEL
<ptravel88-use***@yahoo.com> writes >Incidently, not to belabor a point, but I took a quick look at your website. Only in versions later than V6.5.>It's well-intentioned, but has a fair amount of incorrect information. >Specifically: > >1. Premiere is capable of time-code based scene detection on capture. >You're wrong when you say it can only import entire clips. >It also will run If you run with 256M with (for instance) Norton AV you'll be dropping >on less than 512 meg of RAM. frames by the dozen. Adobe themselves recommend 1G of memory. > True. But will you point me to where I say otherwise?>2. Capture can be done within a video editor, but can also be done with >specialized tools, e.g. Scenealyzer Live. These are capable of optical >scene detection, as well as time-code-based scene detection, and can also >preview a tape to allow clip-specific captures. > You obviously missed the "or other video formats depending on your video >4. AVI and mpeg are particularly poor choices for sending video over the >internet. High-compression formats, e.g. Apple's .mov Quicktime or >Microsoft's .wmv are much better. editor" - or are your comments here merely sour grapes? > You're beginning to show cluelessness as well as showing sour grapes. >5. "Most people have a VHS recorder, but DVD can present problems"? That >may be true in Britain, I don't know. It's certainly not true in the US, >where you can buy DVD players for as little as $25. I'd suggest you browse through http://www.videohelp.com/dvdplayers (to which I give a link on the section in question). Many, many people have legacy DVD players that won't play either DVD+R or DVD-R (some won't play either). > Asking the question demonstrates your cluelessness.>6. What set-top DVD players do you know that will play DVD-RAM? Apex AS-1500, Denver DVD-158, Denver 188, JVC DR-M10S, JVCDR-M1SLE, JVC MV1, LitOn LDV-2002, Mintek DVD-1600, Pacific DVD-1002, Panasonic DMRE100HS, Panasonic DMR-E30, Panasonic DMR-E50, Panasonic E55S, Panasonic DMR-E80H, Panasonic DMR-E85H, Panasonic DMR-E95H, Panasonic DMR-ES10, Panasonic DMR-HS2, Panasonic S25, Panasonic S31, Panasonic S35, Panasonic S47, Panasonic S75, Panasonic S97, Panasonic SC-HT850, Tevion DVD-4000, Toshiba RD2, Toshiba RDXS32, and Toshiba SD3900. > You're now talking bollocks. While miniDV is inferior to the DV >7. Most miniDV camcorders do NOT provide the highest quality video. >Contemporary consumer camcorders are dismal kludges that produce grainy, >noisey video. Most Hi8 camcorders will produce higher-quality video. professional and HD formats, miniDV will give 520 line resolution, while analogue Hi8 only reaches 400 line resolution. > Again bollocks. Now you're beginning to sound as if you are terminally >6. "Movies" shot in low light are not grainy, etc. unless shot with >poor-quality consumer camcorders. My camcorder is a VX2000 miniDV and it >produces brilliant, sharp, saturated non-grainy video by the light of a >single candle. clueless, blind, or both. If you are not, then put up a frame-grab shot by a single candle to prove your absurd assertion. >There's nothing inherent in either digital formats, Not true. It is a characteristic of (even latest technology) CCDs. >generally, or the miniDV format, specifically, that results in poor >low-light performance. The effect that you describe is the result of >deliberate design compromises introduced by camcorder manufactures in their >lower-end consumer machines. There's a knee in the response curve of CCDs which starts to linearise at about 6 lux. The noise is introduced by the signal processor that tries to amplify the signal to give a usable picture - resulting in Schott and Johnson noise being amplified, resulting in poor picture quality. > Again, you're talking bollocks and showing your cluelessness. You are >7. "Nightshot" is simply infra-red sensitive videography. It is not >limited to 3 feet and produces wonderful results with good camcorders. correct in your reference to infra-red, but infra-red light doesn't just "happen". You have to have an infra-red source to allow it to be used. Most camcorders (even your VX2000) claiming "0 lux" have an infra-red lamp on the front of the camcorder - but it is only "strong" enough to illuminate up to about 3 feet from the camcorder. Further, infra-red shots give only monochrome pictures. Anyone who's used their "low-light" camcorder feature will well know this. > On special order, perhaps. But I'd challenge you to walk into any >8. PAL camcorders are available from reputable dealers in the US at good >prices, e.g. B&H and Adorama, both of which are extremely ethical, reliable >and will readily accept returns and exchanges. camcorder retail outlet in the US and purchase a PAL camcorder off the shelf. It's the same here with NTSC - you can buy them but you have to pre-order - with about a three week lead-time. >10. You wrote: " You should also be aware that shooting in low light (no Again you're talking bollocks. And to answer your question - yes. Most >matter what the manufacturer claims) results in a substantial loss of >quality." That's utterly and completely wrong. Have you ever seen the >output of a decent miniDV camcorder? people here in the UK have seen night-time OB footage shot on VX1000 (and more recently VX2100) camcorders (which are used by the BBC OB units). And we've seen a lot of documentary footage originating from the US of traffic chases/arrests which demonstrate that you are talking rubbish. > I'd suggest you read http://www.camcord.info/formats (specifically the >11. AVI isn't "uncompressed." AVI is nothing more than a file wrapper which >can accomodate a variety of codec-encoded video formats. para titled "AVI - A Special Case". Snipped "smoke" which fails to impress :-) > So you're claiming to be a reviewer now? It would help if you weren't so >I don't have time to review everything else on your website. clueless. >I appreciate How f*cking condescending from a clueless pratt. Next thing you'll be >your interest in helping other amateurs, claiming to be a professional... LOL >but jumping in with misleading or Pot... Kettle... black... ???>simply erroneous information does more harm than good. Apart from not contributing anything, you've well demonstrated *your* cluelessness here. Tony Morgan <tonymor***@rhylonline.com> writes:
> >7. Most miniDV camcorders do NOT provide the highest quality video. I think the point is that current consumer miniDV cameras have crappy> >Contemporary consumer camcorders are dismal kludges that produce grainy, > >noisey video. Most Hi8 camcorders will produce higher-quality video. > > You're now talking bollocks. While miniDV is inferior to the DV > professional and HD formats, miniDV will give 520 line resolution, > while analogue Hi8 only reaches 400 line resolution. optics and electronics, which means lousy video regardless of the recording format. The hi-8 cameras of a few years ago were able to make better video than today's low-end mini-DV despite hi-8's disadvantage in recording format. > Most camcorders (even your VX2000) claiming "0 lux" have an The VX2000 is a 3-ccd camera and as such does not and cannot support> infra-red lamp on the front of the camcorder - but it is only "strong" > enough to illuminate up to about 3 feet from the camcorder. Further, > infra-red shots give only monochrome pictures. Anyone who's used their > "low-light" camcorder feature will well know this. Nightshot. Which ccd would the beamsplitter send the infrared to? Nightshot is only found on 1-ccd cameras. > On special order, perhaps. But I'd challenge you to walk into any It's very easy to buy PAL camcorders in the right type of big-city> camcorder retail outlet in the US and purchase a PAL camcorder off the > shelf. retail store in the US. The stores sell PAL cameras all the time to foreign visitors since because of differing tax systems or whatever, the cameras are cheaper here than in the visitors' home countries. Paul Rubin wrote:
> The VX2000 is a 3-ccd camera and as such does not and cannot support Interesting. If you point an infrared remote controller at a 3-ccd > Nightshot. Which ccd would the beamsplitter send the infrared to? > Nightshot is only found on 1-ccd cameras. camera and press the buttons, does this mean you cannot see the IR leds flashing? BTW, as you snipped "uk.rec.video.digital" off from the newsgroups line, Morgan probably will not see your comments at all. -- znark "Paul Rubin" <http://phr.cx@NOSPAM.invalid> wrote in message I have a TR-600 Hi8 machine that I used to use. On a good monitor, it's news:7xbr79fqm8.fsf@ruckus.brouhaha.com... > Tony Morgan <tonymor***@rhylonline.com> writes: >> >7. Most miniDV camcorders do NOT provide the highest quality video. >> >Contemporary consumer camcorders are dismal kludges that produce grainy, >> >noisey video. Most Hi8 camcorders will produce higher-quality video. >> >> You're now talking bollocks. While miniDV is inferior to the DV >> professional and HD formats, miniDV will give 520 line resolution, >> while analogue Hi8 only reaches 400 line resolution. resolution is noticeably less than the TRV-20 which replaced it, though just barely. However, unlike the TRV-20, it was artifact-free (no stairsteps, no "swimming" lines when panning, etc.). It also had more saturated and accurate color and, of course, the TRV-20 couldn't hold a candle (pun intended) to its low-light performance. So which camera produced "better" video? It's a question of what someone considers "better," I suppose. If I wanted to shoot indoors, there's no question that the TR-600 was better. In bright sunlight, shooting subjects without strong horizontal lines, the TRV-20 did pretty well. Of course, neither remotely approaches what I get from my VX2000, but you get what you pay for. ;) Show quoteHide quote > Just for kicks, I slapped an infrared filter on my VX2000 to see what it > I think the point is that current consumer miniDV cameras have crappy > optics and electronics, which means lousy video regardless of the > recording format. The hi-8 cameras of a few years ago were able to > make better video than today's low-end mini-DV despite hi-8's > disadvantage in recording format. > >> Most camcorders (even your VX2000) claiming "0 lux" have an >> infra-red lamp on the front of the camcorder - but it is only "strong" >> enough to illuminate up to about 3 feet from the camcorder. Further, >> infra-red shots give only monochrome pictures. Anyone who's used their >> "low-light" camcorder feature will well know this. > > The VX2000 is a 3-ccd camera and as such does not and cannot support > Nightshot. Which ccd would the beamsplitter send the infrared to? > Nightshot is only found on 1-ccd cameras. could do (I had the filter for my Canon 10D still camera). The VX2000's sensors are clearly filtered to eliminate infrared, but they do have some sensitivity. In very bright sunlight, with the lens wide-open and using a 1/30th of a second shutter speed, I can get infra-red images. They're pseudo-colored -- evidently each of the sensors has slightly different infra-red response (or, perhaps, it's a function of the beam splitter). It's an interesting effect, but not one that has much use, I think. Show quoteHide quote > >> On special order, perhaps. But I'd challenge you to walk into any >> camcorder retail outlet in the US and purchase a PAL camcorder off the >> shelf. > > It's very easy to buy PAL camcorders in the right type of big-city > retail store in the US. The stores sell PAL cameras all the time to > foreign visitors since because of differing tax systems or whatever, > the cameras are cheaper here than in the visitors' home countries. "Tony Morgan" <tonymor***@rhylonline.com> wrote in message Well, yes, so? Premiere Pro has been out for quite some time now, and is news:t1yJhyJd0kiCFwlI@82.69.78.126... > In message <3etep1F4tfq***@individual.net>, PTRAVEL > <ptravel88-use***@yahoo.com> writes >>Incidently, not to belabor a point, but I took a quick look at your >>website. >>It's well-intentioned, but has a fair amount of incorrect information. >>Specifically: >> >>1. Premiere is capable of time-code based scene detection on capture. >>You're wrong when you say it can only import entire clips. > > Only in versions later than V6.5. the current, supported version of Premiere. > I ran 6.5 perfectly well with 386 meg, and see no reason why Pro 1.0 and 1.5 >>It also will run >>on less than 512 meg of RAM. > > If you run with 256M with (for instance) Norton AV you'll be dropping > frames by the dozen. wouldn't run as well. All it means is that the program will use the swap file more. As for using Norton AV, that's a different problem altogether and unrelated to memory. If you're editing on a low memory machine you should disable as many background programs as possible, including firewalls, anti-virus software, anti-spyware, etc.. I do this even on my 512 meg machine. >Adobe themselves recommend 1G of memory. Well, of course. "Recommended" is not the same as "required.">> Your website is intended for beginners. It gives the incorrect impression >>2. Capture can be done within a video editor, but can also be done with >>specialized tools, e.g. Scenealyzer Live. These are capable of optical >>scene detection, as well as time-code-based scene detection, and can also >>preview a tape to allow clip-specific captures. > > True. But will you point me to where I say otherwise? that capture can only be done within an editor package. >> You recommended avi or mpeg for web transmission of video. Again, you >>4. AVI and mpeg are particularly poor choices for sending video over the >>internet. High-compression formats, e.g. Apple's .mov Quicktime or >>Microsoft's .wmv are much better. > > You obviously missed the "or other video formats depending on your video > editor" - or are your comments here merely sour grapes? website is intended for beginners. This information is not only wrong, but will discourage beginners who don't understand why it takes several hours to transmit a 5 minute video to someone else. My comments are not sour grapes, but are less tempered than they might have been. >> Virtually all DVD players manufactured in the last few years will play >>5. "Most people have a VHS recorder, but DVD can present problems"? That >>may be true in Britain, I don't know. It's certainly not true in the US, >>where you can buy DVD players for as little as $25. > > You're beginning to show cluelessness as well as showing sour grapes. I'd > suggest you browse through http://www.videohelp.com/dvdplayers (to which I > give a link on the section in question). Many, many people have legacy DVD > players that won't play either DVD+R or DVD-R (some won't play either). DVD-R. That, however, is not the point. You recommended VHS as a preferred distribution medium because "most people" had them, but didn't have DVD players. As I said, I don't know how things are in Britain, but most people in the US have DVD players. Indeed, many of our video rental stores (you have Blockbusters in Britain, too, don't you?) don't even rent VHS tapes anymore. However, that, too, is not the point. As your own material indicates, VHS is limited to 240 lines of resolution, less than half of what any decent miniDV camcorder can produce. Why in the world would anyone want to use such a limited delivery vehicle? >> Let's see -- DVD is a bad delivery vehicle because, according to you, most >>6. What set-top DVD players do you know that will play DVD-RAM? > > Asking the question demonstrates your cluelessness. > > Apex AS-1500, Denver DVD-158, Denver 188, JVC DR-M10S, JVCDR-M1SLE, JVC > MV1, LitOn LDV-2002, Mintek DVD-1600, Pacific DVD-1002, Panasonic > DMRE100HS, Panasonic DMR-E30, Panasonic DMR-E50, Panasonic E55S, Panasonic > DMR-E80H, Panasonic DMR-E85H, Panasonic DMR-E95H, Panasonic DMR-ES10, > Panasonic DMR-HS2, Panasonic S25, Panasonic S31, Panasonic S35, Panasonic > S47, Panasonic S75, Panasonic S97, Panasonic SC-HT850, Tevion DVD-4000, > Toshiba RD2, Toshiba RDXS32, and Toshiba SD3900. players won't play DVD-R, but DVD-RAM, which is supported on a handful of DVD machines is okay. >> Have you seen the output of consumer camcorders, lately? Most anything >>7. Most miniDV camcorders do NOT provide the highest quality video. >>Contemporary consumer camcorders are dismal kludges that produce grainy, >>noisey video. Most Hi8 camcorders will produce higher-quality video. > > You're now talking bollocks. priced under $500 (and probably priced under $1000) will produce garbage compared to a comparably-priced Hi8 machine. > While miniDV is inferior to the DV professional What is "DV professional"? Do you mean DV-50? Do you know any consumer machines that use that? miniDV is DV-25. Calling it "inferior" to DV-50 (if that's what you meant) without reference to an application is meaningless. DV-25 exceeds what is commonly accepted as "broadcast quality," at least here in the US (I know considerably less about PAL standards). >and HD formats, miniDV will give 520 line resolution, while analogue Hi8 I'm not talking about the miniDV standard vs. the Hi8 standard, but about >only reaches 400 line resolution. consumer miniDV cameras vs. consumer Hi8 cameras. Most consumer miniDV camcorders do not approach 520 line resolution. Some don't even reach VHS resolution. Their images feature washed out color, chroma noise, and considerable grain. Most significantly, the have little to no low-light capability. Do you think your readers might like to know that they won't be able to use their brand new miniDV camcorder to shoot junior's birthday party, whereas they might have gotten quite usable video if they bought a comparably-priced Hi8 machine? >> www.ruyitang.com/venice at nigh - 9.wmv>>6. "Movies" shot in low light are not grainy, etc. unless shot with >>poor-quality consumer camcorders. My camcorder is a VX2000 miniDV and it >>produces brilliant, sharp, saturated non-grainy video by the light of a >>single candle. > > Again bollocks. www.ruyitang.com/florence.wmv www.ruyitang.com/las vegas.wmv > Now you're beginning to sound as if you are terminally clueless, blind, or Take a look at the Venice video. Not a single candle, but equivalent.> both. If you are not, then put up a frame-grab shot by a single candle to > prove your absurd assertion. > Nope. Not even close. It's the result of three things: tiny CCDs (so that >>There's nothing inherent in either digital formats, >>generally, or the miniDV format, specifically, that results in poor >>low-light performance. The effect that you describe is the result of >>deliberate design compromises introduced by camcorder manufactures in >>their >>lower-end consumer machines. > > Not true. It is a characteristic of (even latest technology) CCDs. manufacturers can produce ultra-small camcorders), single CCDs (so that manufacturers can save money) and high-density sensors (so that manufactures can load up camcorders with gimmicky digital still capabilities). It's simple physics. Do you want me to explain why? > There's a knee in the response curve of CCDs which starts to linearise at Sure, gain = garbage. Which is why cameras like the VX2000/2100/PD-150/170, > about 6 lux. The noise is introduced by the signal processor that tries to > amplify the signal to give a usable picture - resulting in Schott and > Johnson noise being amplified, resulting in poor picture quality. which use three large sensors produce high-quality low-light video. >> Obviously, but you keep missing the point. Infra-red sensors don't have a >>7. "Nightshot" is simply infra-red sensitive videography. It is not >>limited to 3 feet and produces wonderful results with good camcorders. > > Again, you're talking bollocks and showing your cluelessness. You are > correct in your reference to infra-red, but infra-red light doesn't just > "happen". You have to have an infra-red source to allow it to be used. 3-foot range. Period. > Most camcorders (even your VX2000) claiming "0 lux" My VX2000 doesn't claim 0 lux, doesn't have a "night shot" mode, and is barely sensitive at all to infra-red. > have an infra-red lamp on the front of the camcorder - And it doesn't have an infra-red lamp on the front (or anywhere else).Camcorders with nightshot are sensitive to infra-red, and they don't care where it comes from. As long as there is an infra-red radiator, which can be the built-in light, but can also be an accessory or an environmental source, they'll do just fine. If what you meant was, "The built-in infra-red source on consumer camcorders results in limited range," then say so. Do not, however, say that, "night shot is limited to 3 feet." It's not true, and extremely misleading. > but it is only "strong" enough to illuminate up to about 3 feet from the Yes, so?> camcorder. Further, infra-red shots give only monochrome pictures. > Anyone who's used their "low-light" camcorder feature will well know this. Well, of course (I have TRV-20 that has this feature). What difference does that make? >> But that's not what you said. You said that mailorder camera vendors should >>8. PAL camcorders are available from reputable dealers in the US at good >>prices, e.g. B&H and Adorama, both of which are extremely ethical, >>reliable >>and will readily accept returns and exchanges. > > On special order, perhaps. But I'd challenge you to walk into any > camcorder retail outlet in the US and purchase a PAL camcorder off the > shelf. be avoided because of return problems. I don't know any British mailorder vendors. I do know B&H and Adorama -- very, very well, as I've bought tens of thousands of dollars of gear from them. Have YOU heard of them? Do you know their reputation within the US? > It's the same here with NTSC - you can buy them but you have to B&H, at least, stocks PAL equipment.> pre-order - with about a three week lead-time. > Go look at the videos at the websites that I listed above.>>10. You wrote: " You should also be aware that shooting in low light (no >>matter what the manufacturer claims) results in a substantial loss of >>quality." That's utterly and completely wrong. Have you ever seen the >>output of a decent miniDV camcorder? > > Again you're talking bollocks. > And to answer your question - yes. Most people here in the UK have seen The VX1000 had medicore low-light performance -- no where near as good as > night-time OB footage shot on VX1000 the VX2000. > (and more recently VX2100) camcorders (which are used by the BBC OB And why do you think the BBC uses them for ENG?> units). >And we've seen a lot of documentary footage originating from the US of Whereas in the US, they're not routinely used for ENG. What has that got to >traffic chases/arrests which demonstrate that you are talking rubbish. do with good-quality miniDV camcorders? >> Then why did you say otherwise?>>11. AVI isn't "uncompressed." AVI is nothing more than a file wrapper >>which >>can accomodate a variety of codec-encoded video formats. > > I'd suggest you read http://www.camcord.info/formats (specifically the > para titled "AVI - A Special Case". > Get out your dictionary and look up the meaning of the word "review."> Snipped "smoke" which fails to impress :-) > >> >>I don't have time to review everything else on your website. > > So you're claiming to be a reviewer now? I'm nothing more than another amateur. I don't, however, pretend to more knowledge than I have, and I don't lash out at someone who gives me a correct answer that I may not like. I also admit when I'm wrong. More than a few lessons there for you to ponder. > It would help if you weren't so clueless. Nope, though I do claim to be civil and courteous which, evidently, are > >>I appreciate >>your interest in helping other amateurs, > > How f*cking condescending from a clueless pratt. Next thing you'll be > claiming to be a professional... LOL qualites that have eluded you. > I don't post erroneous information on websites. Mine isn't open to the >>but jumping in with misleading or >>simply erroneous information does more harm than good. > > Pot... Kettle... black... ??? public, yet, but it's there and you're welcome to look at it. More to the point, when I ask questions on these newsgroups, which is often, I listen to the answers and thank the responders. So, after all this, the answer to your original query remains exactly the same: the problem with the camcorder that you sold is almost certainly an alignment problem (though, as another poster pointed out, it might be an alignment issue for the camera on which the buyer had sourced his test video). Sorry you don't like the answer, but there it is. > Oh, I don't think I haven't contributed anything. I did, after all, point > Apart from not contributing anything, you've well demonstrated *your* > cluelessness here. out your many errors and, perhaps, helped some newbies in the process. Show quoteHide quote "PTRAVEL" <ptravel88-use***@yahoo.com> writes: I download mpeg all the time and it works fine. It doesn't take> You recommended avi or mpeg for web transmission of video. Again, you > website is intended for beginners. This information is not only wrong, but > will discourage beginners who don't understand why it takes several hours to > transmit a 5 minute video to someone else. hours. It's a published standard and it's viewable by all kinds of programs that can't view those proprietary formats. This is a peeve of mine, I don't use Windows or Macintoshes and don't want to be locked into any company's software to be able to view the files. So MPEG is what I also advise everyone to use, even if it means the files are bigger than they'd be with some other formats. > What is "DV professional"? Do you mean DV-50? Do you know any consumer I think he means DVCAM which is DV25 at a higher tape speed than mini-DV> machines that use that? (fewer dropouts/alignment probs/etc.) and with better sound sync. > Sure, gain = garbage. Which is why cameras like the VX2000/2100/PD-150/170, Hate to say it but the VX2000/etc. uses three small sensors (1/3"),> which use three large sensors produce high-quality low-light video. not large ones. By comparison, a consumer digital SLR camera (about 1/4 the price of a VX1000) has the equivalent of a single 1.4" sensor, or 17x the sensor area of the VX2000. Making 3-ccd cameras with large sensors is extremely expensive because of alignment issues, but I don't understand why nobody makes consumer camcorders with single 2/3" or larger sensors as are common in digicams. "Paul Rubin" <http://phr.cx@NOSPAM.invalid> wrote in message It depends on what you're doing. I download mpeg as well when I'm news:7xll6de53v.fsf@ruckus.brouhaha.com... > "PTRAVEL" <ptravel88-use***@yahoo.com> writes: >> You recommended avi or mpeg for web transmission of video. Again, you >> website is intended for beginners. This information is not only wrong, >> but >> will discourage beginners who don't understand why it takes several hours >> to >> transmit a 5 minute video to someone else. > > I download mpeg all the time and it works fine. It doesn't take > hours. It's a published standard and it's viewable by all kinds of > programs that can't view those proprietary formats. travelling and want to pull a show off my Tivo. Everything depends on the video quality -- full DirectTV mpeg (which is a weird, proprietary format) takes me 12 hours for a 1 hour show over an average DSL line. For most purposes, though, wmv or mov are better choices -- you'll get equivalent quality in a far more compact file. >This is a peeve That's an issue, though. I have video clips on my website. Storage is > of mine, I don't use Windows or Macintoshes and don't want to be > locked into any company's software to be able to view the files. So > MPEG is what I also advise everyone to use, even if it means the files > are bigger than they'd be with some other formats. limited, so I want the most "bang for the buck." I assume you're running Linux -- I can't afford the extra space to accomodate a relatively small potential audience. I do hope, though, that Linux grows to become a dominant OS. I've fooled with it some, and like it a lot more than either Windows or Mac. > If that's what he meant, then the video quality is exactly the same as >> What is "DV professional"? Do you mean DV-50? Do you know any consumer >> machines that use that? > > I think he means DVCAM which is DV25 at a higher tape speed than mini-DV > (fewer dropouts/alignment probs/etc.) and with better sound sync. miniDV -- as you noted, it's the DV25 spec. > Everything's relative. Three 1/3" sensors equals 1" of light grabbing >> Sure, gain = garbage. Which is why cameras like the >> VX2000/2100/PD-150/170, >> which use three large sensors produce high-quality low-light video. > > Hate to say it but the VX2000/etc. uses three small sensors (1/3"), > not large ones. surface. Compare that to 1/6" single-CCD sensors which are used in many of the newer consumer camcorders -- that's 600% more surface area. > By comparison, a consumer digital SLR camera (about It's a function of market and marketing, I think. If the consumer demand > 1/4 the price of a VX1000) has the equivalent of a single 1.4" sensor, > or 17x the sensor area of the VX2000. Making 3-ccd cameras with large > sensors is extremely expensive because of alignment issues, but I > don't understand why nobody makes consumer camcorders with single 2/3" > or larger sensors as are common in digicams. was there, they'd make it. Most consumers, though, think smaller is better, higher-density is better and, of course, cheaper is better. In message <3evbceF56rp***@individual.net>, PTRAVEL
<ptravel88-use***@yahoo.com> writes >Let's see -- DVD is a bad delivery vehicle because, according to you, Do read what I said. Your powers of comprehension are approaching those >most players won't play DVD-R, but DVD-RAM, which is supported on a >handful of DVD machines is okay. of a lobotomised wood-louse. You immediately discount *anything* you might say, when you invent things that I might have said, or take them out of context. > You clearly haven't.>>> >>>7. Most miniDV camcorders do NOT provide the highest quality video. >>>Contemporary consumer camcorders are dismal kludges that produce grainy, >>>noisey video. Most Hi8 camcorders will produce higher-quality video. >> >> You're now talking bollocks. > >Have you seen the output of consumer camcorders, lately? >Most anything priced under $500 (and probably priced under $1000) will More rubbish. The limiting factor with Hi8 is not intrinsically the >produce garbage compared to a comparably-priced Hi8 machine. analogue signal, but the limitations of the recording medium. Show quoteHide quote > Yes you were - in fact you just have. You not only don't know what >> While miniDV is inferior to the DV professional > >What is "DV professional"? Do you mean DV-50? Do you know any >consumer machines that use that? > >miniDV is DV-25. Calling it "inferior" to DV-50 (if that's what you >meant) without reference to an application is meaningless. DV-25 >exceeds what is commonly accepted as "broadcast quality," at least here >in the US (I know considerably less about PAL standards). > >>and HD formats, miniDV will give 520 line resolution, while analogue Hi8 >>only reaches 400 line resolution. > >I'm not talking about the miniDV standard vs. the Hi8 standard, you're talking about - you don't even know what you have just said.. LOL. >but about consumer miniDV cameras vs. consumer Hi8 cameras. Most Indeed they do. Get hold of a line-res test card and look for yourself. >consumer miniDV camcorders do not approach 520 line resolution. Since they introduced their 16-bit DSP nearly three years ago across their miniDV range, Sony come in at 520 line resolution. Pannys are a little behind at about 510. I haven't tried others (my video friends all have Sonys or Pannys) but I'd speculate that they are much the same as the Pannys. >Some don't even reach VHS resolution. Their images feature washed out You amaze me that you seem to believe the rubbish you come out with. Not >color, chroma noise, and considerable grain. Most significantly, the >have little to no low-light capability. Do you think your readers might >like to know that they won't be able to use their brand new miniDV >camcorder to shoot junior's birthday party, whereas they might have >gotten quite usable video if they bought a comparably-priced Hi8 machine? borne out with fact - but that clearly doesn't trouble you. Show quoteHide quote > Do you know what a lux is? Or a candela? Try getting marginally clued up > >>> >>>6. "Movies" shot in low light are not grainy, etc. unless shot with >>>poor-quality consumer camcorders. My camcorder is a VX2000 miniDV and it >>>produces brilliant, sharp, saturated non-grainy video by the light of a >>>single candle. >> >> Again bollocks. > >www.ruyitang.com/venice at nigh - 9.wmv >www.ruyitang.com/florence.wmv >www.ruyitang.com/las vegas.wmv > > >> Now you're beginning to sound as if you are terminally clueless, blind, or >> both. If you are not, then put up a frame-grab shot by a single candle to >> prove your absurd assertion. > >Take a look at the Venice video. Not a single candle, but equivalent. about the stuff you're babbling about - you might then stop talking such rubbish. Show quoteHide quote > You couldn't explain how to punch your way out of a paper bag. I've >> >>>There's nothing inherent in either digital formats, >>>generally, or the miniDV format, specifically, that results in poor >>>low-light performance. The effect that you describe is the result of >>>deliberate design compromises introduced by camcorder manufactures in >>>their >>>lower-end consumer machines. >> >> Not true. It is a characteristic of (even latest technology) CCDs. > >Nope. Not even close. It's the result of three things: tiny CCDs (so >that manufacturers can produce ultra-small camcorders), single CCDs (so >that manufacturers can save money) and high-density sensors (so that >manufactures can load up camcorders with gimmicky digital still >capabilities). > >It's simple physics. Do you want me to explain why? never encountered anyone who consistently comes out with such complete rubbish and actually believes it. CCDs comprise semiconductor junctions, and putting (say) 2Mpx on a substrate of one-third of an inch square is insignificant when compared with the construction of (say) a modern CPU where several million junctions are masked onto a substrate of about one-tenth of an inch square. > The knee in larger CCDs doesn't disappear on larger CCDs. And there's > >> There's a knee in the response curve of CCDs which starts to linearise at >> about 6 lux. The noise is introduced by the signal processor that tries to >> amplify the signal to give a usable picture - resulting in Schott and >> Johnson noise being amplified, resulting in poor picture quality. > >Sure, gain = garbage. Which is why cameras like the >VX2000/2100/PD-150/170, which use three large sensors produce >high-quality low-light video. > exactly the same fall-off in sensitivity as on smaller CCDs. >>> In zero light (visible or IR) you have NO range whatsoever. Unless of >>>7. "Nightshot" is simply infra-red sensitive videography. It is not >>>limited to 3 feet and produces wonderful results with good camcorders. >> >> Again, you're talking bollocks and showing your cluelessness. You are >> correct in your reference to infra-red, but infra-red light doesn't just >> "happen". You have to have an infra-red source to allow it to be used. > >Obviously, but you keep missing the point. Infra-red sensors don't >have a 3-foot range. Period. course you have some IR illuminations. If you're read a little more carefully you'd have read the reference to the IR lamp on the front of the "zero-lux" consumer camcorders. Show quoteHide quote > You're now turning into a nit-picking pedant when you have been shown to >> Most camcorders (even your VX2000) claiming "0 lux" > >My VX2000 doesn't claim 0 lux, doesn't have a "night shot" mode, and is >barely sensitive at all to infra-red. > >> have an infra-red lamp on the front of the camcorder - > >And it doesn't have an infra-red lamp on the front (or anywhere else). > >Camcorders with nightshot are sensitive to infra-red, and they don't >care where it comes from. As long as there is an infra-red radiator, >which can be the built-in light, but can also be an accessory or an >environmental source, they'll do just fine. If what you meant was, >"The built-in infra-red source on consumer camcorders results in >limited range," then say so. Do not, however, say that, "night shot is >limited to 3 feet." It's not true, and extremely misleading. be talking rubbish (and now are beginning to realise it). > Are you terminally stupid? You're certainly trying hard.> >> but it is only "strong" enough to illuminate up to about 3 feet from the >> camcorder. Further, infra-red shots give only monochrome pictures. > >Yes, so? > >> Anyone who's used their "low-light" camcorder feature will well know this. > >Well, of course (I have TRV-20 that has this feature). What difference >does that make? > Show quoteHide quote >>> Yes, but how many items have you had to return? It amuses me when >>>8. PAL camcorders are available from reputable dealers in the US at good >>>prices, e.g. B&H and Adorama, both of which are extremely ethical, >>>reliable >>>and will readily accept returns and exchanges. >> >> On special order, perhaps. But I'd challenge you to walk into any >> camcorder retail outlet in the US and purchase a PAL camcorder off the >> shelf. > >But that's not what you said. You said that mailorder camera vendors >should be avoided because of return problems. I don't know any British >mailorder vendors. I do know B&H and Adorama -- very, very well, as >I've bought tens of thousands of dollars of gear from them. Have YOU >heard of them? Do you know their reputation within the US? clueless folk praise the service they get when all they're doing is box-shifting. The real test of "service" in this context is the response you get when things go wrong. I can, however, give an example of (an attempted) NTSC purchase here in Europe. I recently bought at nearly-new TRV80 from a US serviceman. He tried for three months to purchase an NTSC camcorder (in Germany where he was based) prior to his return to the US - with no result. Show quoteHide quote > Go read up on what a lux is, what a candela is - and equate that with >> It's the same here with NTSC - you can buy them but you have to >> pre-order - with about a three week lead-time. > >B&H, at least, stocks PAL equipment. > >> >>>10. You wrote: " You should also be aware that shooting in low light (no >>>matter what the manufacturer claims) results in a substantial loss of >>>quality." That's utterly and completely wrong. Have you ever seen the >>>output of a decent miniDV camcorder? >> >> Again you're talking bollocks. > >Go look at the videos at the websites that I listed above. > >> And to answer your question - yes. Most people here in the UK have seen >> night-time OB footage shot on VX1000 the lighting in your examples. You claimed that you get good results by the light of a candle.... LOL. Show quoteHide quote > You're putting words in my mouth (or on my website) again. If you're >The VX1000 had medicore low-light performance -- no where near as good >as the VX2000. > >> (and more recently VX2100) camcorders (which are used by the BBC OB >> units). > >And why do you think the BBC uses them for ENG? > >>And we've seen a lot of documentary footage originating from the US of >>traffic chases/arrests which demonstrate that you are talking rubbish. > >Whereas in the US, they're not routinely used for ENG. What has that >got to do with good-quality miniDV camcorders? > >>> >>>11. AVI isn't "uncompressed." AVI is nothing more than a file wrapper >>>which >>>can accomodate a variety of codec-encoded video formats. >> >> I'd suggest you read http://www.camcord.info/formats (specifically the >> para titled "AVI - A Special Case". > >Then why did you say otherwise? going to quote me than don't be an idiot and quote me out of context. > You've here demonstrated that you have little knowledge.>> >> Snipped "smoke" which fails to impress :-) >> >>> >>>I don't have time to review everything else on your website. >> >> So you're claiming to be a reviewer now? > >Get out your dictionary and look up the meaning of the word "review." > >I'm nothing more than another amateur. I don't, however, pretend to >more knowledge than I have, >and I don't lash out at someone who gives me a correct answer that I I'm waiting with bated breath for a "correct answer". So far you've >may not like. continued to talk utter bollocks. >I also admit when I'm wrong. You haven't so far. You've both invented things that I've said, and taken things I've said out of context. Simply to avoid admitting that you are wrong. > If I don't suffer fools gladly - then I hold up my hand. Start talking >More than a few lessons there for you to ponder. > >> It would help if you weren't so clueless. >> >>>I appreciate >>>your interest in helping other amateurs, >> >> How f*cking condescending from a clueless pratt. Next thing you'll be >> claiming to be a professional... LOL > >Nope, though I do claim to be civil and courteous which, evidently, are >qualites that have eluded you. > sense then you'll get civility and courtesy. >> As do I. But when responses are clueless, I'll say so. And I'm sorry if >>>but jumping in with misleading or >>>simply erroneous information does more harm than good. >> >> Pot... Kettle... black... ??? > >I don't post erroneous information on websites. Mine isn't open to the >public, yet, but it's there and you're welcome to look at it. More to >the point, when I ask questions on these newsgroups, which is often, I >listen to the answers and thank the responders. that upsets you - but that's Usenet. >So, after all this, the answer to your original query remains exactly LOL... Dream on...>the same: the problem with the camcorder that you sold is almost >certainly an alignment problem (though, as another poster pointed out, >it might be an alignment issue for the camera on which the buyer had >sourced his test video). Sorry you don't like the answer, but there it >is. > >> >> Apart from not contributing anything, you've well demonstrated *your* >> cluelessness here. > >Oh, I don't think I haven't contributed anything. I did, after all, >point out your many errors and, perhaps, helped some newbies in the >process. Morgan. You are a c**t.
I've never used that word on a newsgroup before, and almost never in the 'real' world, but if there ever was a person that the word was made for it's you. Why don't you take you and your fragile little ego and just f*ck off. Do what you like, go take some novocaine, Quaaludes, Cerapax, morphine, dope whatever. I hold you pretty much responsible for the demise of this once vibrant newsgroup through your poisonous vitriol you dispense as you see fit. So once again if I may reiterate. On behalf of humanity I would like to say f*ck OFF YOU BORING, FRAGILE EGOED c**t! <snipped a very small selection of Tony's considered replies> Do read what I said. Your powers of comprehension are approaching those of a lobotomised wood-louse. You're now talking bollocks. Again bollocks.
Show quote
Hide quote
"Steve Franklin" <hon***@lips.com> wrote in message Whilst I am not going to take sides in this little discussion, you must'venews:428b3f3c$1@dnews.tpgi.com.au... > Morgan. You are a ****. > > > I've never used that word on a newsgroup before, and almost never in the > 'real' world, but if there ever was a person that the word was made for it's > you. > > > > Why don't you take you and your fragile little ego and just f*** off. Do > what you like, go take some novocaine, Quaaludes, Cerapax, morphine, dope > whatever. I hold you pretty much responsible for the demise of this once > vibrant newsgroup through your poisonous vitriol you dispense as you see > fit. > > > So once again if I may reiterate. On behalf of humanity I would like to say > F*** OFF YOU BORING, FRAGILE EGOED ****! led a very sheltered newsgroup life if Mr Morgan is the first person you want to call a c***. On the contrary I have an exceptionally high, though not limitless, level
of tolerance. One of the main tenets of newsgroups is a free discussion of ideas. People will always disagree with each other, although most do it with humility and their dignity intact. The moment someone dare question Tony's Authority on any subject he will attempt to belittle, humiliate and embarrass the poster in the most condescending tone. Thus a simple discussion becomes a 150 post flame war because he is not a big enough man to put his view out there and be happy with that. *Most* other people are happy to enter into a rational, friendly debate with the end goal of finding 'what' is right and not 'who' is right. A straw poll of this newsgroup on any given day would find that most people would not piss on Morgan if he was on fire, and most would be pouring on any accelerant they could find. Show quoteHide quote "Grumps" <gra***@pikachupark.fsnet.co.uk> wrote in message news:428b59c3$0$22501$7b0f0fd3@mistral.news.newnet.co.uk... > "Steve Franklin" <hon***@lips.com> wrote in message > news:428b3f3c$1@dnews.tpgi.com.au... >> Morgan. You are a ****. >> >> >> I've never used that word on a newsgroup before, and almost never in the >> 'real' world, but if there ever was a person that the word was made for > it's >> you. >> >> >> >> Why don't you take you and your fragile little ego and just f*** off. Do >> what you like, go take some novocaine, Quaaludes, Cerapax, morphine, dope >> whatever. I hold you pretty much responsible for the demise of this once >> vibrant newsgroup through your poisonous vitriol you dispense as you see >> fit. >> >> >> So once again if I may reiterate. On behalf of humanity I would like to > say >> F*** OFF YOU BORING, FRAGILE EGOED ****! > > Whilst I am not going to take sides in this little discussion, you must've > led a very sheltered newsgroup life if Mr Morgan is the first person you > want to call a c***. > > In message <428b59c3$0$22501$7b0f0***@mistral.news.newnet.co.uk>, Grumps
<gra***@pikachupark.fsnet.co.uk> writes Show quoteHide quote >"Steve Franklin" <hon***@lips.com> wrote in message Poor chap seems to be an example of the reason why "care in the >news:428b3f3c$1@dnews.tpgi.com.au... >> Morgan. You are a ****. >> >> >> I've never used that word on a newsgroup before, and almost never in the >> 'real' world, but if there ever was a person that the word was made for >it's >> you. >> >> >> >> Why don't you take you and your fragile little ego and just f*** off. Do >> what you like, go take some novocaine, Quaaludes, Cerapax, morphine, dope >> whatever. I hold you pretty much responsible for the demise of this once >> vibrant newsgroup through your poisonous vitriol you dispense as you see >> fit. >> >> >> So once again if I may reiterate. On behalf of humanity I would like to >say >> F*** OFF YOU BORING, FRAGILE EGOED ****! > >Whilst I am not going to take sides in this little discussion, you must've >led a very sheltered newsgroup life if Mr Morgan is the first person you >want to call a c***. > community" doesn't work. I can't help but wonder whether his foul language is a result of poor parenting, or of the influence of bad company. My language however foul varies only in degree to yours, and aside from one
word does not deviate from anything you'll find on television, post watershed. Your language in the post I responded to, talked of male genetalia and mine of female. All parenting and company being equal then perhaps it says more about you than you think. I am many things, though frightened of being wrong is not one of them, in fact I relish the opportunities to learn that being wrong brings. My self worth is not tied to the acceptance of my comments as gospel on a newsgroup. Though I would never speculate on the origins of your problems I suspect it's nothing to do with bad company. Perhaps you were never paid enough attention as a child or had a father that was never satisfied with whatever you achieved - whatever it was it's not for me to judge. Though I really honestly believe you do need to seek help. <snip> Show quoteHide quote > Poor chap seems to be an example of the reason why "care in the community" > doesn't work. > > I can't help but wonder whether his foul language is a result of poor > parenting, or of the influence of bad company. > > -- > Tony Morgan > http://www.camcord.info In message <428b3f3***@dnews.tpgi.com.au>, Steve Franklin
<hon***@lips.com> writes Show quoteHide quote >Morgan. You are a c**t. ROFL...> > >I've never used that word on a newsgroup before, and almost never in the >'real' world, but if there ever was a person that the word was made for it's >you. > > > >Why don't you take you and your fragile little ego and just f*ck off. Do >what you like, go take some novocaine, Quaaludes, Cerapax, morphine, dope >whatever. I hold you pretty much responsible for the demise of this once >vibrant newsgroup through your poisonous vitriol you dispense as you see >fit. > > >So once again if I may reiterate. On behalf of humanity I would like to say >f*ck OFF YOU BORING, FRAGILE EGOED c**t! > > > > > > > > > ><snipped a very small selection of Tony's considered replies> > >Do read what I said. Your powers of comprehension are approaching those > of a lobotomised wood-louse. > >You're now talking bollocks. > > Again bollocks. Any YOU talk about "poisonous vitriol" ? At best you need counselling for your attitude problem and foul language [1], at worst you're in serious need of psychiatric help. [1] You might like to consider that youngsters sometimes read this newsgroup. I trust you don't have or aspire to have children. If you do then obviously don't care about the model of language and social skills that you present. Now do go away and play with your social equals where such language is accepted and expected of you. <snip>
Any YOU talk about "poisonous vitriol" ? At best you need counselling for your attitude problem and foul language [1], at worst you're in serious need of psychiatric help. [1] You might like to consider that youngsters sometimes read this newsgroup. I trust you don't have or aspire to have children. If you do then obviously don't care about the model of language and social skills that you present. Now do go away and play with your social equals where such language is accepted and expected of you. -- Tony Morgan http://www.camcord.info Tony....I do not for one minute imagine you actually Rolling on the floor laughing. I can not imagine you even laughing. Tony....take a look at the number of people that have pointed out your foibles over the last few years, wake up and smell the coffee. If you can't get the professional care in Wales I suggest you petition the WHO to donate a professionals time, or apply for further EU aid, or go to London, please get it sorted. Youngsters will have to deal with people like you soon enough, lets not shelter them eh? Let them decide what they can and can't handle. I realise you are from another generation and that it's hard to understand, but my language is least of their troubles/concerns. You live in a world of where playing the spoons at the Rhyl social club passes for entertainment. The rest of us live in the year 2005 in developed countries, where my comments don't even register a blip on the social radar. So I will return to my world Tony, if you promise to return to yours - fair enough? Now...here are your spoons....and here's your music....you like Tony Bennett don't you?, come on Tony leths not cause a kafuffle. I've got your blanket for you. Now before I go...isth there anything else you need? "Steve Franklin" <hon***@lips.com> wrote in message <snip>news:428b3f3c$1@dnews.tpgi.com.au... > Although not sharing your choice of words I must agree that Mr Morgan> Why don't you take you and your fragile little ego and just f*ck off. Do > what you like, go take some novocaine, Quaaludes, Cerapax, morphine, dope > whatever. I hold you pretty much responsible for the demise of this once > vibrant newsgroup through your poisonous vitriol you dispense as you see > fit. > has all but killed the uk.video.digital group. On Tue, 17 May 2005 23:00:29 GMT, "PTRAVEL" <ptravel88-use***@yahoo.com> I don't know the stats, but I don't know anyone who doesn't have one allegedly wrote: > As I said, I don't know how things are in Britain, but most people > in the US have DVD players. nowadays. They're about £40 ($25) in supermarkets these days, and play everything. > Indeed, many of our video rental stores Yes, plenty of BB stores, although last time (last year) I looked there > (you have Blockbusters in Britain, too, don't you?) don't even rent > VHS tapes anymore. was a small section of VHS tapes. For sure DVD is the main player. "Dave R" <m*@privacy.net> wrote in message I wish 40 uk pounds was $25 sometimes! :)news:Xns965A5C7F1629Fdavernospam@130.133.1.4... > On Tue, 17 May 2005 23:00:29 GMT, "PTRAVEL" <ptravel88-use***@yahoo.com> > allegedly wrote: > > > As I said, I don't know how things are in Britain, but most people > > in the US have DVD players. > > I don't know the stats, but I don't know anyone who doesn't have one > nowadays. They're about £40 ($25) in supermarkets these days, and play > everything. Rob Show quoteHide quote > > Indeed, many of our video rental stores > > (you have Blockbusters in Britain, too, don't you?) don't even rent > > VHS tapes anymore. > > Yes, plenty of BB stores, although last time (last year) I looked there > was a small section of VHS tapes. For sure DVD is the main player. On Wed, 18 May 2005 09:18:53 GMT, "RSD" <rob***@hotmail.com> allegedly use***@yahoo.com>wrote: > > "Dave R" <m*@privacy.net> wrote in message > news:Xns965A5C7F1629Fdavernospam@130.133.1.4... >> On Tue, 17 May 2005 23:00:29 GMT, "PTRAVEL" <ptravel88- >> allegedly wrote: Whoops, did my maths wrong there. :) That should read around $70-75 I >> >> > As I said, I don't know how things are in Britain, but most people >> > in the US have DVD players. >> >> I don't know the stats, but I don't know anyone who doesn't have one >> nowadays. They're about £40 ($25) in supermarkets these days, and play >> everything. > > > I wish 40 uk pounds was $25 sometimes! :) guess. In message <3f0fgnF5ar4***@individual.net>, RSD <rob***@hotmail.com>
writes >> I don't know the stats, but I don't know anyone who doesn't have one Indeed... I must confess that I didn't spot it until you responded :-)>> nowadays. They're about £40 ($25) in supermarkets these days, and play >> everything. > > >I wish 40 uk pounds was $25 sometimes! :) In message <Xns965A5C7F1629Fdavernospam@130.133.1.4>, Dave R
<m*@privacy.net> writes Show quoteHide quote >On Tue, 17 May 2005 23:00:29 GMT, "PTRAVEL" <ptravel88-use***@yahoo.com> When I've had the need to distribute a video to a number of people, the >allegedly wrote: > >> As I said, I don't know how things are in Britain, but most people >> in the US have DVD players. > >I don't know the stats, but I don't know anyone who doesn't have one >nowadays. They're about £40 ($25) in supermarkets these days, and play >everything. > >> Indeed, many of our video rental stores >> (you have Blockbusters in Britain, too, don't you?) don't even rent >> VHS tapes anymore. > >Yes, plenty of BB stores, although last time (last year) I looked there >was a small section of VHS tapes. For sure DVD is the main player. choice of medium is not as simple as you suggest. As you state, you can buy a very inexpensive DVD player that supports most variants (DVD-R, DVD+R etc), but a lot of people have purchased their DVD player one, two or three years ago - when universal DVD-variant playing was very much the exception rather than the rule. Only a couple of months ago I gave away (what was) a very expensive LG DVD player that didn't play DVD-R or DVD+R. And most folk take the position of "if it ain't broke, then don't replace it" - unless of course they themselves are into home video. And I'd estimate that four out of every five miniDV camcorder owners never transfer their movies onto DVDs so the issue of replacing their legacy DVD players never comes up. In fact if my memory serves me correctly, there have been a substantial number of enquiries on this newsgroup about transferring VHS onto DVD - and often these people have to have the issues regarding DVD-R/DVD+R explained to them. They often don't know what (if any) of the "home-burned" DVD media types will play on their own DVD player - let alone friend's and relative's DVD kit. There's a current thread of "Converting VHS to DVD" to illustrate my point. To illustrate the issues, a friend who's daughter was recently married engaged a "professional" video outfit to shoot the wedding and reception. It may be different in other locations, but this guy (who does a lot of weddings in my area) only provides VHS in the "standard bundle". "Extras" on DVD are charged extra, and must be ordered specifically as either DVD-R or DVD+R. It's an eye opener BTW, to check on what these "professional video services" charge for weddings. I'd suggest that you use the Yellow Pages and contact your local "Video Wedding Services", ring up and enquire about what's on offer, and the cost. And if you're asked anything about particular DVD variants play dumb - I'd speculate that you're quite likely to be offered a "standard VHS" delivery package.
Re: problem of head on camcorder, help
Hard drive help needed problem of head on camcorder, help way old stuff on people's shelves... sony camcorders.. dcr55 vs hc80 vs hc40 Camcorder Battery A full list of all models of panasonic camcorders geing back to 1998? TiVo function? Need photo book app for TV Canopus AVDC-100 with Pinnacle Studio 9 software |
|||||||||||||||||||||||